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| Artist | Grateful Dead |
| Show | {Hornsby} 1988-06-25: Buckeye Lake Music Center, Hebron, OH [8478] |
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| Torrent | gd1988-06-25.fob.unknown.8478.sbeok.shnf.torrent (click to download) |
| Downloads as | gd1988-06-25.fob.unknown.8478.sbeok.shnf |
| Info hash | 5e81d52e00d841d6418f326e3c63ed918f3aa6be |
| db link | http://db.etree.org/shn/8478 | Show | Source |
| Description | BAND Grateful Dead
DATE 06/25/88
VENUE Buckeye Lake Music Center
CITY Buckeye Lake
STATE OH
Source: Schoeps MK2s fob
Fact: First time Bruce Hornsby sat in
Fact: Only public source of this show
Set 1:
Feel Like A Stranger >
Franklin's Tower
Box Of Rain
Sugaree [1]
Stuck In Mobile With The Memphis Blues Again [1] [2]
West L.A. Fadeaway
Cassidy
Deal
Set 2:
Victim Or The Crime
Blow Away
Foolish Heart >
Terrapin Station >
Drums >
Space >
The Other One >
Wharf Rat >
Throwing Stones >
Not Fade Away
Encore
Knockin' On Heaven's Door
Notes from Deadlists....
[1] With Bruce Hornsby on Accordian ; Before 'Sugaree', Bobby said, "Of course now, we're gonna welcome back Bruce." And Jerry added, "We don't let just anybody sit in on the accordion!"
[2] Phil says "Ladies and Gentleman, Bruce Hornsby on the accordian!"
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162:52.47 1723892268 B 0.6074 (21 files)
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| Type | Grateful Dead |
| Last seeder | Last activity 346 days, 05:08:46 ago |
| Size | 998.56 MB (1047065032 Bytes) |
| Added | 2008-01-18 01:30:53 |
| Views | 0 |
| Hits | 808 |
| Snatched | 245 times |
| Upped by | SteveSw |
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| mjlaurent |
2008-01-19 16:19:26 |
Eric_D_A said: "Seemed his playing was always within the lines and a little heavy handed and ham fisted."
I would beg to differ on this one - Hornsby seemed to push the band during an era when exploratory excursions had become increasingly rare. While 89-90 with B Mydland found the boys at their apex of the later days, the emergence of Hornsby late 90 through 91/early 92 spurred the boys to push tried and true numbers in new ways. Check out his foolish jam from expo 90 or the extended jams through many of the 90 msg run. His phrasing was such a wonderful compliment to Jerry's melodic runs, and the way the worked off each other hadnt really been seen on a consistent level since the mid 70s. I believe Hornsby is quoted as saying he saw much of the writing on the wall during the extended 91 msg-boston garden run. He consistently tried to push Jerry to explore different areas but the weight of the long run took its toll on the big guy.
Some of my favorite moments of music came from the 91 summer tour - from Pine Knob through the August Shoreline was arguably the last extended high level playing the boys gave us. While their were many, many gems after this point, this time marked such an experience.
Thanks for the memories,
Marc L |
| FartWisdom |
2008-01-20 11:37:32 |
| Kudos, to all who've recognized the vast difference between Keith and Bruce...Kudos, indeed. Being a pianist, myself, trained in Classical and Jazz, I'll add that "technically," Bruce was a Grandmaster to all the tinkering clanging of the other juveniles, INCLUDING Brent. Keith was everyday "run-of-the-mill; he stayed within the lines and evidenced disinterest in practicing by never changing his sound or his bag of repetitive licks...he was basically a "piano sound" for the group. Non-musicians usually favor Brent over the others, yet their only basis for this is his organ sound...which was just as basic and juvenile as Keith's acoustic piano, just a more psychadelic sound, more agressive. Brent's lines were mere repititions, over and over and over...he never developed--though he certainly could have--more than the others...but not Bruce. Bruce had the knowledge of developing lines: saying something with the instrument. In my humble opinion, Bruce brought the pinnacle of beauty to the aging Dead. He pulled the bedsheets over the cold and fading sound, bringing warmth and the vision of the Romantic to the timeless and endangered mystery that was the Grateful Dead. I think here I'll add that I appreciate Bruce's projects outside the Grateful Dead, yet they do not grab and hold me like the arms of the Dead; thus, I am not a fan. He's merely a brilliant pianist who gave the Grateful Dead a level of sound they couldn't achieve with their other standard, run-of-the-mill keyboardists. |
| orts |
2008-01-21 17:33:23 |
FartWisdom has it right, in my opinion; I always think of the Hornsby experiment as (as I said over at Dime) a kind of renaissance or indian summer for the band.
As for him not pushing it, I think on the contrary, that's what he was there for at that late stage of the Dead's evolution. There's a great interview with him somewhere where he tells the story of how he once suggested "Let's *start* the show with 'Dark Star'" and the band looked at him like he was nuts.
Why has no one mentioned Tom Constanten? Like Hornsby, he was the right man at the right time, I thought. |
| GuinnessGoon |
2008-01-29 21:11:10 |
| I know what you mean. I wish TC played more with the Dead than he did. How sweet would it have been if he made guest appearances throughout the years. |
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