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| Artist | Grateful Dead |
| Show | {Hornsby} 1991-09-22: Boston Garden, Boston MA [SBD: 83156] |
Report this as
non-Trade-Friendly | Email us |
| Torrent | gd1991-09-22.dsbd.unknown.83156.flac16.torrent (click to download) |
| Downloads as | gd1991-09-22.dsbd.unknown.83156.flac16 |
| Info hash | 1fd7e27ccabf0d90a3c59f682bb24f7d001131e8 |
| db link | http://db.etree.org/shn/83156 | Show | Source |
| Description | GRATEFUL DEAD
9/22/91
Boston Garden
Boston, MA
Source: Soundboard -> DAT @ 48kHz
Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g
Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC.
Set 1
1. Shakedown Street ->
2. C.C. Rider ->
3. It Takes A Lot To Laugh, It Takes A Train To Cry
4. Me & My Uncle ->
5. Maggie's Farm
6. Brown Eyed Women
7. Let It Grow
Set 2
1. Samson & Delilah
2. Iko Iko
3. Looks Like Rain ->
4. He's Gone ->
5. Nobody's Fault But Mine ->
6. Spoonful ->
7. Drums ->
8. Space ->
9. The Last Time ->
10. Stella Blue ->
11. Sugar Magnolia
encore:
12. Knockin' On Heaven's Door
NOTE: This is not the circulating SSSB version which has cuts in Shakedown Street and
in Maggie's Farm during the first set (a result of malfunctioning ADATs). This is the
complete uncut DSBD version of this show.
MD5 CHECKSUM
7d1962821f2d0f2bc2251056660afa4e *gd1991-09-22set1t01.flac
22157a322b4b2f2ef59a8ebdca4be652 *gd1991-09-22set1t02.flac
ebaceda63023d4ce3206ceb561bb336a *gd1991-09-22set1t03.flac
10460ae90a41745087619e8fd26a738e *gd1991-09-22set1t04.flac
803137ff67f986e8d4d57479b09b2a16 *gd1991-09-22set1t05.flac
cec5a4cc87698f2a43ebc4caa6ecb0c9 *gd1991-09-22set1t06.flac
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5bce7201ecf639cabc96ad0b858ed3df *gd1991-09-22set2t11.flac
7279e3aca60c9a2bb11936b058505515 *gd1991-09-22set2t12.flac
SHNTOOL LEN
length expanded size cdr WAVE problems fmt ratio filename
14:15.62 150967868 B --- -- ---xx flac 0.5386 gd1991-09-22set1t01.flac
6:04.29 64277852 B --- -- ---xx flac 0.5243 gd1991-09-22set1t02.flac
6:46.66 71773676 B --- -- ---xx flac 0.4828 gd1991-09-22set1t03.flac
3:13.46 34153436 B --- -- ---xx flac 0.5266 gd1991-09-22set1t04.flac
9:04.30 96032204 B --- -- ---xx flac 0.4944 gd1991-09-22set1t05.flac
5:33.70 58905884 B --- -- ---xx flac 0.5049 gd1991-09-22set1t06.flac
12:50.33 135905428 B -b- -- ---xx flac 0.5423 gd1991-09-22set1t07.flac
9:39.27 102199148 B --- -- ---xx flac 0.5259 gd1991-09-22set2t01.flac
7:29.26 79264796 B --- -- ---xx flac 0.5522 gd1991-09-22set2t02.flac
8:56.66 94705676 B --- -- ---xx flac 0.4691 gd1991-09-22set2t03.flac
10:24.58 110210060 B --- -- ---xx flac 0.5043 gd1991-09-22set2t04.flac
2:41.06 28414556 B --- -- ---xx flac 0.5292 gd1991-09-22set2t05.flac
4:21.07 46056908 B --- -- ---xx flac 0.4935 gd1991-09-22set2t06.flac
12:14.30 129548204 B --- -- ---xx flac 0.4304 gd1991-09-22set2t07.flac
10:55.08 115560860 B --- -- ---xx flac 0.3494 gd1991-09-22set2t08.flac
5:41.66 60307676 B --- -- ---xx flac 0.5605 gd1991-09-22set2t09.flac
10:09.42 107526428 B --- -- ---xx flac 0.4746 gd1991-09-22set2t10.flac
11:08.50 117952844 B --- -- ---xx flac 0.5314 gd1991-09-22set2t11.flac
9:24.66 99645364 B -b- -- ---xx flac 0.4595 gd1991-09-22set2t12.flac
160:56.38 1703408868 B 0.4951 (19 files)
|
| Type | Grateful Dead |
| Last seeder | Last activity 9:04 ago |
| Size | 804.24 MB (843305869 Bytes) |
| Added | 2008-04-05 10:35:08 |
| Views | 0 |
| Hits | 647 |
| Snatched | 217 times |
| Upped by | SteveSw |
Num files
[See full list] | 21 files |
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| ip:port | client
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bytes | dl
bytes | ratio | complete | ul
rate | dl
rate | time
connected | time
left | idle |
| 71.161.118.xxx:45667 |
Mainline 7.8.0 |
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0.00%
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21:39:19 |
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9:04 |
| 0 of 1 firewalled (0%) |
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N/A | N/A |
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| (orphaned) |
0000-00-00 00:00:00 |
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| SteveSw |
2008-04-05 10:47:05 |
While there are few anthemic jam-songs on this setlist, this is still a show worthy of the Boston run; the individual songs are played well, the transitions and flows between songs are well-considered, and there's a lot of nice jamming with and between. What's best about this show is the vibe: it's not a show where IT happened, more one where you'd come home with a "Wow that was a great show" feeling.
In the first set, it's a nice energetic Shakedown opener, and the MAMU > Maggie's is lots of fun. The second-set opening Samson and then Iko is very bouncy and rockin'. The best jamming of the night comes during the interesting He's Gone > Nobody's > Spoonful before the Drums; and then Bobby serves up an excellent Sugar Mag to close the set. |
| Reelboy |
2008-04-05 11:48:25 |
| Thanks again for the Hornsby - Dead collaborations! |
| SteveSw |
2008-04-05 13:43:47 |
To get a feeling for Bruce's situation during these fall shows, you might be interested in this material....
Of course you get all sorts of perspectives from reading the various things said about the band in all the books and interviews that have come out over the years. Welcome to the study of history. I tend to just take it all in as data, and have it be part of my listening context. It's all interesting....
And if you're the sort of person who is offended by four letter words, there are a few of them in here, quoted from the original.
=====
Garcia's playing on the first part of the Dead's September Northeast tour was much more erratic than it had been during the summer; an indication to those close to him that the methadone regimen didn't stick. Bruce Hornsby notes, "Truthfully, I didn't really notice Jerry having problems until the fall of '91. Or maybe I noticed it, but it didn't start pissing me off until the fall."
He continues, "I remember we played nine nights at Madison Square Garden and I thought except for a couple of really great nights, to me it was really a dogshit run. Garcia was in this place I couldn't understand. He was starting to get to that place a lot in the last two or three years when I'd watch them -- he'd put his head straight down and look at the floor the whole time; hunch over and not communicate with anyone. And that wasn't like him, at least as far as I was concerned. We'd always had a lot of eye contact and interpaly, really a lot of good feelings onstage. But it wasn't just that. He sort of wasn't listening and starting to run roughshod over people's solos -- certainly mine -- and I thought at times the music just seemed strangely lifeless. I asked Bobby about it and he explained it to me. I'd heard about it, but had never experienced it firsthand. There were nights when I wanted to push the eject button. What I would have done in my band is try to play in a different way that maybe would have jacked everybody up, tried to take a little more charge of the thing. But in this band I didn't feel it was my place. So I was caught. I felt, 'Damn, this music is not happening; the music is not going anywhere.'
"Then we got ot Boston Garden and I was pretty bummed. We played this first set and it wasn't happening again, so I just said, 'Oh fuck it!' and I started playing this stuff that was very unmusical. I was playing hard and pounding and basically driving it up their ass. And sure enough, the gig got jacked up. There was a lot of energy in the set and it was a pretty good ste. But I thought I was playing like crap. I was playing in a way I didn't want to play.
"At the end of the set I went into Garcia's tent and he says, 'Man, I love the way you're playing tonight!' And I said, 'Garcia, I'm playing bullshit tonight. I'm playing crap, but it's all I can do because there's nothin' happening here and I really resent your coming to this gig and not putting anything into it,' or words to that effect. And he said 'Well, man, you don't understand twenty-five years of burnout!'" |
| mscott70 |
2008-04-07 14:16:39 |
Thanks again to SteveSW for your continuing work on the Hornsby project. The music & commentary is excellent.
I find Hornsby's comments interesting. While Bruce may feel that his playing during this stretch is not his "finest", I find it to be more "jamming." Bruce says he was "driving it up their asses", but Jerry needed a kick in the ass every now & then after 25 years of burnout. I think that Bruce really inspired Jerry, and you can hear it in this show especially, IMO. I really like this show, a fun one.
I mean, think about the difference in perspectives for Bruce & Jerry. For Bruce, this was still a new gig with a legendary band playing to huge audiences that turned on every single note they played. For Jerry, it was just another _____ night. I think this Boston run is their last great one, with great shows and pretty good runs scattered here & there until the end. |
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