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ArtistGrateful Dead
Show{DttC013} 1970-02-11, 02-13, 02-14: Fillmore East, New York, NY [SHNIDs 28292, 28402, and outtakes]
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Info hash2edfb156cfc8c17c2c24b90fd36615636c9ed3fe
db linkhttp://db.etree.org/shn/104782 | Show | Source
DescriptionGrateful Dead
Fillmore East, New York, NY
February 11, 1970

Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)

Patch for Dark Star: Master audience tape > ? > DAT > CD

EAC and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet)
Patches courtesy of an unknown benefactor (thanks to Bob Murphy for the source discs)

Unfortunately, no patch for Lovelight in this source

Disc 1 (10 tracks) [54:32]
--Early Show--
1 //The Other One [5:17] >
2 Cryptical Envelopment [4:28] >
3 Dire Wolf [5:17]
4 Casey Jones [ 4:32]
--Late Show, begin--
5 Intro and tuning [0:43]
6 Not Fade Away [12:26]
7 Cumberland Blues [5:00]
8 Cold Rain And Snow [5:59]
9 High Time [7:32]
10 Me And My Uncle [3:16]

Disc 2 (4 tracks) [66:39]
--Late Show, end--
1 Dark Star [16:45] >
2 Spanish Jam [9:50] >
3 Turn On Your Lovelig//ht [34:32]
--Encore--
4 Uncle John's Band [5:14]

D2T1 7:03-11:17 - aud patch
D2T3 cut at 30:16

==========

Grateful Dead
February 11, 1970
Fillmore East
New York City, New York

Late Show Conclusion

Source: Soundboard (except patches as noted)
Lineage: MSR> DAT> CDR> EAC> FLAC

*** Late Show (cont) ***
01) [00:07] tuning
02) [12:10] Dark Star->
03) [13:49] Spanish Jam->
04) [33:53] Lovelight
05) [00:18] stage banter
06) [00:22] crowd noise and stage banter
07) [00:26] stage banter
08) [05:18] Uncle John's Band
09) [00:11] stage banter

Total time: 01:06:39 h:m:s


Dark Star 06:49 - 07:43 = unknown audience master > ? > C > C > D
Dark Star 07:43 - 10:46 = unknown SBD source > ? > C > C > D
Lovelight 30:13 - 30:46 = another unknown audience master > analog gen > C > C > D

The unknown audience master used to patch the Dark Star is excellent. The other audience master, used to patch the Lovelight, is B+ quality. The second SBD source, supplying the other 3 minutes of the Dark Star missing on the MSR> DAT, is only very mildly inferior to the MSR> DAT source.

The third guitarist audible starting about 2:30 into Dark Star and for several minutes thereafter is Peter Green. Duane Allman on slide guitar enters around the middle of Dark Star. Gregg Allman adds organ & vocals during Lovelight, and Barry Oakley plays a second bass on Lovelight.

This is an optimal copy of a classic hour of Grateful Dead.

Patched & remastered by Dave Greenberg
DAE and FLAC encoding by Marc Evans
Project coordinated by Jim Powell with a special thanks to DW

==========

Grateful Dead
2-13-70

Fillmore East,
New York, NY

mostly from SBD>MR>D>CD>EAC>SHN
with patches from:
SBD>MR>PCM>D>CD>EAC>SHN
SBD>MR>R>D>CD>EAC>SHN
mastered on 7" reels @ 15ips

This source consists of all the tracks from SHNID 18114 that have not been commercially released on Bear's Choice or Dick's Picks #4. Sources of songs from http://www.deaddisc.com.

Early Show:
d1t01. Cold Rain & Snow (5:35)
d1t02. Beat It On Down The Line (2:43)
-OMIT- Good Lovin' [BEAR's CHOICE, REMASTERED]
d1t04. Mama Tried--> (2:39)
d1t05. Black Peter (9:19)
d1t06. Hard To Handle (6:37)
d1t07. St. Stephen--> (6:41)
d1t08. Not Fade Away (9:17)
d1t09. Casey Jones (4:54)

Late Show:
electric set 1:
d1t10. stage banter/introduction (0:32)
d1t11. China Cat Sunflower--> (4:42)
d1t12. I Know You Rider (5:24)
d1t13. Me & My Uncle (4:13)
d1t14. Dire Wolf (4:57)
-OMIT- Smokestack Lightning [BEAR's CHOICE]

acoustic set:
d2t02. stage banter (4:58)
d2t03. Monkey & The Engineer (2:23)
d2t04. Little Sadie (3:03)
-OMIT- Wake Up Little Susie [BEAR's CHOICE]
-OMIT- Black Peter [BEAR'S CHOICE]
d2t07. Uncle John's Band// (5:38)
-OMIT- Katie Mae [BEAR's CHOICE]

electric set 2:
-OMIT- Dark Star--> [DICK'S PICKS]
-OMIT- Cryptical Envelopment--> [DICK'S PICKS]
-OMIT- Drums--> [DICK'S PICKS]
-OMIT- The Other One--> [DICK'S PICKS]
-OMIT- Cryptical Envelopment--> [DICK'S PICKS]
-OMIT- Lovelight [DICK'S PICKS]

encore:
d3t06. We Bid You Goodnight (3:51)


Notes:
--the early show is from the David Gans seed
--first known performance of Wake Up Little Susie
--minor glitch at 0:15 in Uncle John's (probably on the master, as it is on multiple copies)
--Uncle John's Band cuts out shortly before the end
--Feelin' Groovy Jam at 18:10 in Dark Star

Part of The Music Never Stopped Project 2003

Thanks to Paul Hartman, David Litfin, et al
encoding by JCotsman

==========

Grateful Dead
2-14-70

Fillmore East,
New York, NY

mostly: SBD>MR>D>CD>EAC>SHN
with portions from: SBD>MR>PCM>D>CD>EAC>SHN

This source consists of all the tracks from SHNID 18115 that have not been commercially released on
Bear's Choice or Dick's Picks #4. Sources of songs from http://www.deaddisc.com.

Early Show:
(missing Cold Rain & Snow)
d1t01. stage banter (0:15)
d1t02. Dark Star--> (23:39)
d1t03. St. Stephen//(-->) (6:42)
d1t04. //The Eleven--> (8:50)
d1t05. Lovelight (23:56)

Late Show:
electric set 1:
-OMIT- stage banter/introduction [DICK'S PICKS]
-OMIT- Casey Jones [DICK'S PICKS]
d1t08. Mama Tried (3:58)
-OMIT- Hard To Handle [BEAR's CHOICE]
d2t02. stage banter (7:19)

acoustic set:
d2t03. Monkey & The Engineer (2:15)
-OMIT- Dark Hollow [BEAR's CHOICE]
-OMIT- I've Been All Around This World [BEAR's CHOICE]
d2t06. Wake Up Little Susie--> (2:27)
d2t07. Black Peter--> (7:25)
d2t08. Uncle John's Band (5:58)
d2t09. stage banter (2:29)
d2t10. Katie Mae (5:28)

electric set 2:
-OMIT- Dancin' In The Streets [DICK'S PICKS]
-OMIT- China Cat Sunflower--> [DICK'S PICKS]
-OMIT- I Know You Rider--> [DICK'S PICKS]
-OMIT- High Time--> [DICK'S PICKS]
-OMIT- Dire Wolf [DICK'S PICKS]
-OMIT- Alligator--> [DICK'S PICKS]
-OMIT- Drums--> [DICK'S PICKS]
-OMIT- Me & My Uncle--> [DICK'S PICKS]
-OMIT- Not Fade Away--> [DICK'S PICKS]
-OMIT- Mason's Children--> [DICK'S PICKS]
-OMIT- Caution--> [DICK'S PICKS]
-OMIT- Feedback--> [DICK'S PICKS]
-OMIT- We Bid You Goodnight [DICK'S PICKS]


Notes:
--the early show is assumed to be derived from a David Gans seed
--a significant reel flip cuts the end of St. Stephen, all of the William Tell Bridge, and the transition jam in The Eleven
--dropout at 1:05 in Uncle John's

Part of The Music Never Stopped Project 2003
encoding by JCotsman
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TypeGrateful Dead
Last seederLast activity 9:27 ago
Size2.121 GB (2277880715 Bytes)
Added2008-06-25 17:56:41
Views0
Hits1544
Snatched642 times
Upped bySteveSw
Num files
[See full list]		63 files
Seeders
[Hide list]		2 Seeder(s)
ip:portclient
version		ul
bytes		dl
bytes		ratiocompleteul
rate		dl
rate		time
connected		time
left		idle
205.185.123.xxx:6948 7.308 GB 0 B ∞ 100.00%
 0 B/s N/A 10:44:58 N/A 9:27
81.151.249.xxx:49011 μtorrent 1.8.2.0 0 B 0 B N/A 100.00%
 N/A N/A 9:14:44 N/A 14:12
0 of 2 firewalled (0%) 100.00%
 N/AN/A
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[Hide list]		0 Leecher(s)

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SteveSw 2008-06-25 18:15:34
The transition from the baroque psychadelic music of 1969 to the more roots-oriented music of 1970 happened gradually during the last half of 1969. Moving this direction, the Grateful Dead were both exploring their own bluegrass, folk, and jug-band roots and riding a wave shared by a broad range of bands and singer-songwriters across the country. You could think of this transition as starting for the Grateful Dead in the late summer of 1969; certainly by these early 1970 shows, the band had definately arrived in the new place and was playing quite differently than (say) the Fillmore West shows from Feb/March of 1969.

Eric calls out three of the Fillmore East shows from February of 1970. With all due respect to Branford Marsalis, Eric calls the Feb 11 show "the mother of all guest spots" on account of the participation of Duane and Gregg Allman and Peter Green from Fleetwood Mac. I've seeded two sources of that show here: one contains all of the music from that night that we have available, the other contains the most listenable version of the Dark Star > Spanish Jam > Lovelight set we have. While the pre-Dark Star music is not up to the jamming to follow, I always like to listen to these things in context, and I like both the NFA and the Cumberland Blues from earlier in the night.

Since the Feb 13 and Feb 14 shows were used to create both Bear's Choice and Dick's Picks #4, they'd be well known to us even if they weren't strong candiates for "best show ever". I can't seed the whole show on eTree, but I though you might appreciate the songs from these nights that aren't on those albums. Given these sources and those commercial CDs, you should be able to put together full-show versions of what came down those nights. It's funny, Feb 13 is usually thought of as the better of these shows based on the monster 90-minute Dark Star > Other One > Lovelight jam from the second set, but if you take both the early music on the 14th and the acoustic stuff into account, I think Feb 14 certainly has its strengths.

This should go without saying, but it didn't earlier, so let me say it directly: if you know of a place where you can get a copy of the entirety of these shows (or any other shows that aren't sharable at etree.org), please don't post a link to that place here. I know it's well-intentioned, but it's also kind of harsh on the people you link to. Kind of like posting a sign in front of the police station saying "I know there's no pot available around here, but you can get all you want from my buddy up on 329 Main St Appt D". Since this is a really public place, it's just good to be careful.

==========

This project is a music adjunct to and a book review of Eric Wybenga's _Dead To The Core_. I'm going to seed a copy of all the music mentioned in the book except for the stuff that has been commercially released. You might want to pick up a copy of the book and read along with me while I'm seeding -- I think it'll be worth your while. Here are some of the many places you can find one:

POWELLS: http://tinyurl.com/5vv7k6
ABEBOOKS: http://tinyurl.com/5jbejx
AMAZON: http://tinyurl.com/5hbq36
B&N: http://tinyurl.com/5gyxpl
mdarby 2008-06-25 18:29:43
the 2/11 show with the Fleetwood/Allman presence is CLASSIC stuff!
mike999 2008-06-25 19:05:59
I'll have no space on my hard drive within a month!!! This trip is
great! Please keep it up!
Thanks a million......
roryglzep 2008-06-25 19:10:38
Arthur Lee from Love is also on percussion during the 2-11 jam session .... thanks for offering all these .... THX!!!
mdarby 2008-06-25 20:33:46
not to mention Mick Fleetwood & Butch Trucks also
featsofstrength 2008-06-25 21:55:13
ahhh..the Holy Grail! thank you
OutofIraq 2008-06-25 22:45:12
Six shows in three incredible nights. There was a seventh show on 2/12 at Ungano's Nightclub of which two sources circulate.
The late show on 2/13 is considered the best of the bunch but all were excellent shows and were among the very first high quality SBDs to enter trading circles.

A bit of history -- the shows were taped on 15-inch reels by John Chester, who was the sound engineer for the Fillmore East. He was able to sneak a direct feed from the soundboard. The tapes, known as the "Chester Reels" were dubbed by Alan Maude, one of Chester's assistants, and passed on to none other than Bob Menke.

The "Chester reels" were used Dick Latvala to patch Bear's original 7-inch tapes that in turn became "Dick's Picks Volume 4.

The "Spanish Jam" on 2/11 is the first in nearly two years. With both Duane and Gregg sitting in as well as the great bluesman Peter Green, many consider the jam to be among the best guest appearances in GD history.

The 2/13 late show began after 1AM and concluded after sunrise. Nearly 15 minutes of applause followed the Lovelight before the band brought proceedings to a close with "AWBYGN".

The "Mason's Children" on 2/14 was the last of nine times that the full GD played the song. "Dark Hollow" and "Wake Up Little Susie" were both played for the first time.
SteveSw 2008-06-25 23:18:37
You and your Ungano's Nightclub, OutOfIraq! You can seed that, I have a reputation to maintain around here. Next thing you'll be telling me is that there weren't really two shows each of these nights :)

I tell you what I'd love to hear, I'd love to hear those audience recordings of 70-02-11 that are used to patch the soundboard in these sources. "The unknown audience master used to patch the Dark Star is excellent." Whew, that would be fun to hear. But heartfelt thanks to John Chester, Alan Maude, Bob Menke, and whoever else was responsible for letting us hear this great music.
mcgannahan531 2008-06-25 23:48:01
thanks for the upload. it would be great if someone could seed 4/26/69. at least the non dp tunes. i'd like to piece that one together as well.
SteveSw 2008-06-26 00:39:58
It occurs to me that many of you might not recognize the joke behind Ungano's nightclub.

Bear has always insisted that there was only one show on 2/13. Deadbase believed him. Jay Serafin believed him too, and circulated the early show from 2/13 as "2/12 at Ungano's nightclub". That generated a lot of conversation. Check out, for instance, the comments on this source:

[url]http://db.etree.org/shninfo_detail.php?shnid=5932[/url]

Here is the deadlist info for 2/12, that tells us that there were actually two sources circulated erroneously labeled as this date, a bit of Peter Green, and then the aforementioned Ungano's nightclub set:

[url]http://www.deadlists.com/default.asp[/url]

The thing that made me laugh was imagining the trouble it would stir up to have circulated the fake 2/12 show as part of this torrent. The thing is, since I circulated the early show from 2/13, you actually got that music for free, and properly labeled to boot ;) Though to be fair, a clear copy of 2/12 circulated late last year, so at least some of us have a sense of humor.
albaners 2008-06-29 15:11:27
How come so many songs say OMIT next to them ???
eelpie62 2008-07-04 14:53:09
The songs say OMIT because they're on official releases.
Isn't it that the 2/14 Alligator on the old bootlegs was preceeded by Weir singing (to the tune of Here We Go 'Round The Mulberry Bush)
"The faster we go the rounder we get
The faster we go the rounder we get
The faster we go the rounder we get
In the fourth demension"
?

That bit isn't on Dick's Picks and I can't find my old tape. That's a bit of stage banter that I've been looking for forever.
dnick926 2009-01-02 23:12:59
thanks steve

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