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ArtistGrateful Dead
Showgd1971-04-06.sbd.cantor.crouch.wbotb.gmb.96299.flac16
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Info hash626e6b5db8848bc60a711b1f96b152feac0e1f99
db linkhttp://db.etree.org/shn/96299 | Show | Source
DescriptionGrateful Dead
Manhattan Center
New York, New York
April 6, 1971 - Tuesday

Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta)
PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz
Jace Crouch’s original source WBOTB DAT via trailmix and Tim Deibert

Transfer: Panasonic SV-3700 > Cardas cable S/PDIF >
Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz]
Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.


Disc 1 75:54
1st Set:

1. Bertha
2. Beat it On Down The Line
3. It Hurts Me Too
4. Me & Bobby McGee
5. Dire Wolf
6. Oh Boy
7. I’m A Hog For You Baby
8. Playing In The Ba//nd
9. In The Midnight Hour
10. Mama Tried
11. Cumberland Blues
12. Casey Jones

Disc 2 79:20
2nd Set:

1. Tuning, “Take a step back”
2. Greatest Story Ever Told >
3. Johnny B. Goode
4. //Loser
5. Good Lovin’ >
6. Drums >
7. Good Lovin’
8. Sugar Magnolia
9. Not Fade Away >
10. Goin’ Down The Road//Feelin’ Bad >
11. Not Fade Away >
12. Truckin’

- First Oh Boy, NRPS opened

Source/Mastering Notes:
The unfortunate cuts in Playing In The Band, Loser and Goin’ Down The Road
remain but were edited by cutting out tape squeeze and smoothed over with
very minor fades and no crossfades.
Drop outs for other reel changes were removed and crossfaded before
Dire Wolf, Loser and Not Fade Away
Checksums; flac fingerprint file generated by Trader\'s Little Helper<br />
; generated on December 8, 2008, at 20:43:38<br />
<br />
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gd1971-04-06d2t12.flac:28ccc3f34eb4850e9dda7a688a463b5b<br />
<br />
; wholefile md5 checksum file generated by Trader\'s Little Helper<br />
; generated on December 8, 2008, at 20:57:21<br />
<br />
1d1b314a36ac60c12c8f68a72226a7f5 *gd1971-04-06d1t01.flac<br />
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<br />
<br />
; shntool md5 fingerprint file generated by Trader\'s Little Helper<br />
; generated on December 8, 2008, at 20:52:51<br />
<br />
3bb9ace96ecd5d3f4f4c18019215a2f6 [shntool] gd1971-04-06d1t01.flac<br />
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61a789c126fa7894802c0c0494953bd3 [shntool] gd1971-04-06d2t09.flac<br />
ff1e1ca8eb0873e55a565593e4a2a483 [shntool] gd1971-04-06d2t10.flac<br />
bfb936fa6767d40e4ed4a79e9b2f37e0 [shntool] gd1971-04-06d2t11.flac<br />
28ccc3f34eb4850e9dda7a688a463b5b [shntool] gd1971-04-06d2t12.flac<br />
TypeGrateful Dead
Last seederLast activity 7 days, 19:21:12 ago
Size752.61 MB (789173037 Bytes)
Added2008-12-09 19:36:45
Views0
Hits905
Snatched550 times
Upped bywhynotus
Num files
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28 files
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Add a comment

dbh420 2008-12-09 20:14:15
ahhhh......it hurts me too, lovely! tanks for the kindness
jerrygar1 2008-12-09 20:32:17
sure - i'll help seeeeeeeeeeeeeeeeeeeeeeeeeeeedddddd!!!!

luv it!!!!
trailmix 2008-12-09 20:50:53
Oh Boy! That does it for the Manhattan Center :)

1000 thank yous
cryptical17 2008-12-09 21:37:45
1971 was the Grateful Dead's true year of change.

It is shocking how much the Grateful Dead changed in just two years!!!!!!!! "Dark Star" was a rarity. So was "Alligator" and "Caution." "Other One" stopped going back into "Cryptical." Recent songs such as "High Time" "Attics" "New Speedway" and "Till The Morning Comes" were ancient history.

In 1971 so many new songs were introduced such as "Playing In the Band" "Deal" "Loser" "Bird Song" "Greatest Story" etc. which remained in the repetoir until the end. If you look at almost any GD setlist from the 80s or 90s, there is at least two or three songs that originated in 1971.

Lilypad 2008-12-09 23:12:03
dude ... 1979 was the true year of change. Not 1971. 1979.
mbrow7 2008-12-10 01:05:39
They changed and evolved a ton, and that is why we loved and love them. thanks for seeding this upgrade of such a fine show.
cryptical17 2008-12-10 06:22:55
dude ... 1971 was the true year of change. Not 1979. 1971.
cryptical17 2008-12-10 06:23:14
:o)
kntckymule 2008-12-10 07:29:22
I think 1975 was the year that brought the greatest changes in the Dead's material and sound and approach.
cryptical17 2008-12-10 09:01:54
Seriously, 1979 was NOT a year of transition other than the fact that Brent joined the band. He did bring in a new set of keyboards, but in '79 he still mostly played electric piano, something that Keith Godchaux was already doing. Additionally, the Dead only introduced a few new songs in '79 such as ALTHEA, LOST SAILOR and SAINT OF CIRCUMSTANCE. For the most part, however, they were still playing the same songs introduced in earlier years, with mostly the same arrangements.

1971, on the other hand, Mickey Hart left, forcing Billy to pick up the slack behind the drums. Pigpen left for a while and Keith Godchaux came on board with an acoustic piano. The sound was quite different due to all these personnel and instrumentation changes. And, as I mentioned above, the Dead added a large number of new songs such as PLAYING IN THE BAND, LOSER, BROWN EYED WOMEN, SUGAREE, DEAL, GREATEST STORY, TENNESSEE JED, JACK STRAW, SATURDAY NIGHT, JOHNNY B GOODE, PROMISED LAND, WHARF RAT, MEXICALI BLUES, BIG RIVER. All these songs began to dominate the sets as other songs such as DARK STAR, ST STEPHEN, LOVELIGHT, ALLIGATOR, CAUTION, FEEDBACK, ELEVEN, HIGH TIME, NEW SPEEDWAY, RIPPLE, ATTICS etc. became rarities or nonexistant. A lot of change happened in 1971 which helped shape the Dead sound into the late 70s and into the 80s.
t_spaceman 2008-12-10 10:55:40
check out jerry's yodel on 'bobby mcgee'... worth the price of admission alone!
AveRegina 2008-12-11 00:10:17
the Music never stopped changing~That's what makes the trip sooo mystical. . .
mstaggerlee 2012-12-08 02:08:16
GOTTA put my 2 cents worth in here. 1971, post-Mickey and pre-Keith, is when the 4-man core of the band REALLY began to forge that psychic link, to trust each other, and truly learned to JAM! They had returned to the original, 5-man lineup, after the crazy, psychedelic period with Mickey and Tom Constanten. But they were NOT that band that mostly just boogied behind PigPen, like they were in 1966. Pig, in fact, was slipping fast during this period - they ofter performed pretty much as a quartet.

The other thing about 1971 ... it's the year that almost EVERYBODY in the band lost a parent. THAT'S a growth experience in and of itself.

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