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ShowGLOVE2009.03.02+sbd+FoxTheatre
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Info hashbdbcdc38799819ed2abe0a36f449ee8f54d51d9c
DescriptionG.Love & Special Sauce
2008.03.02
Fox Theatre
Boulder Co


Source: soundboard > xlr out >?> RCA > creative Nomad jukebox 3
Conversion: creative Nomad jukebox 3 > CD WAV editor > FLAC
Taper: Al + n2thelite@hotmail.com
thx to chris d & glove for the feed


d1
wiggle
76
funky beat
hala life goes on
every girl i see *
the hustle
busted *
lots of cookin
booty call (dirty version!)
special sauce
cant go back
max'n relax'n *
cold beverage (w/ sax and freestyle*)

d2
15 still hang'n round +
don't go +
fresh lyla + ~
walk to slide
the crew *
georgia
who's got the weed
peace love & happiness



+ accoustic
* new

nice to hear some old school Glove this time around mixed in w/ some newbies ive never heard. FYI i had to plug into chris d's unit so for the picky folk out
there you will hear some static distortion. peace.


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hemptopia.org


ChecksumsLINE 2009-03-03 01_22_0802.flac:61fc63b999de2d18053679210bcd23fc
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LINE 2009-03-03 01_22_0822.flac:45b1937cc0cf571271d410cb3c4d0773
TypeOther
Last seederLast activity 1392 days, 07:55:35 ago
Size746.27 MB (782519556 Bytes)
Added2009-04-25 22:50:33
Views0
Hits189
Snatched61 times
Upped byn2thelite
Num files
[See full list]
22 files
Peers
[See full list]
0 seeders, 1 leecher = 1 peer total

Add a comment

joeman420 2009-04-25 23:02:23
Thank you
n2thelite 2009-04-25 23:06:33
Danks!
puunjab 2009-04-26 01:29:49
Picky???

I tried to listen to 4/9 & that static sucks. The mics would have been better without it.

I wouldn't thank Chris D.

I'd tell him to suck my balls.

His rig sucks.

Distortion in 2009???

How fucking bad a taper do you have to be???
jkennedy 2009-04-26 03:30:11
i grabbed this from cotapers a while back and deleted it right away, not even listenable imho
BurntHostage420 2009-04-26 17:15:30
There lots of G Love on the Archive:

http://www.archive.org/search.php?query=collection%3AG.LoveandSpecialSauce&sort=-publicdate
n2thelite 2009-04-26 23:24:08
puunjab
you might check out the solo acc show up here i recorded much better sound qual. you gotta take what u can get... know what i mean...talk to Glove. peace.
MTOWNSHEND 2009-04-28 20:43:31
As much as I hate to appear to be complaining, I think that it should be more along the lines of constructive criticism.

Yes, puunjab is correct, but very inflammatory and defeating the purpose of trying to figure out the problem.

Was the problem, not in the patch, but the preamp? or recorder levels?

Is there a setting that will do an automatic +4 or +10db, professional gear has that. This helps to control the gain structure and account for differences in the cables used.

I think that the problem here is the lineage stated as:
XLR -> ? -> RCA -> Nomad

between the xlr and the rca, needs to be a "DI-Box" It resolves all the line levels and provides a consistant output of data.

Anytime I mix pro wiring with consumer wiring I use mt DI-Box, since it is rare to get the sbd patch, it is equally rare that you bring a DI-Box with you...

I have been taking multiple mics with me to see what I can do depending on the space, so with it, I bring one of those Behringer Euro Mixer, it is powered with 9V Batteries and accepts XLR and 1/4", which are the profesional cables, the outputs are many, there are the xlr, 1/4", digital coax and rca, this also is capable of providing the current needed to keep a constant 48Volts to the mics...

I am sure that there is a portable DI-Box available in the $50 range and I don't think that there are any real expensive ones because this problem is associated with the Proffesional meets the Amateur and that is an unusual happening.

If you don't get a di-box, check out some of the cables that are custom made. They vary as your situation, but it is rather easy to get an XLR -> 1/4" or RCA, I certainly can say for sure that in my bag of tricks are numerious converters, all are 2" long, stainless steel and are made to convert XLR to any other cable. For $12 each, you could get an XLR F-> RCA F, I think that is right (the M/F).

I bring them with me always as they take little space and are very handy.

To me, that is the problem here. The xlr feed was juiced, as it is supposed to be, but there was no buffer between to reduce the juice.

I think that this is a live and learn thing, that it can be a valuable asset to understand this stuff next time you get a sbd feed.

As always the effort is appreciated, but, to be honest, this should have been picked out immediately after the transfer. I hate to say, but it seems to fit the situation...

To take your recording and to seed the transfer, knowing the magnitude of the distortion is careless, at the least.

This same thing happened to me one time when I was using a sound designs mix-pre -> marantz CF recorder. I was happy to see the xlr into the preamp and out to the marantz, but the first recording resulted in this exact same static.

I learned that if I was using an external preamp, I needed to use the 1/8" input on the recorder. So I had to buy a custom 2-xlr -> 1-1/8" stereo mini. Sounds bad, but it made all the difference. the recordings using that are fantastic.

The issue was that I was juicing the mics with the preamp and the levels were set on the preamp, I just set them real low on the marantz, but that will not work, the xlr needs an appropriate conversion to consumer levels. This is with the all in one 722's and such, that is different as it is all in one box, but $5,000...


Anyway, that would be my take on this and suggestion for future reference. It's a shame, there is a really nice low end shelf that rocks, but the louder you play it, the worse it gets...

I feel for ya, but this is something we all learn some how.

I would say, you should have used better judgement when seeding this, IMO, there was a lot of time spent compiling it and even more when considering the time everyone took to grab this. Your note about the distortion was so far to the aside, that I and I bet everyone else, discounted it, when that little note renders the recording unlistenable and seeded using bad judgement. Again, I hope you earned from this, trust your ears, if you can't let someone else listen, to get a 2nd qc check is required as far as anything I seed in public.

Peace,

Mike T.
Check out

www.planetrocklosslessbootlegs.com
We specialize in fast accurate lossless verification as well as minimum sound requirements within minutes of a new seed.
You can trust your lossless downloads at PR.
MTOWNSHEND 2009-04-28 20:51:59
BurntHostage420, just because you see G. Love listed at LMA, does not mean much at all. The material you linked was all lossy, I do my best to avoid all lossy compression and sources. These lossy sources are one of the largest contributions to all the piss in the non-dead pool.

Your comment, as I mentioned in line with this seed is misleading and contributes to the crap that we have to wade through to get one good recording.

There are lossless sources on LMA, but to say, point blank, there is lots of G. Love on LMA, is a direct reflection of your mis-understanding of audio and why lossless audio should be maintained and not turned to mp3, just to deviously convert back to flac and try to pass it as lossy. Think before you act, you will be doing all of us a favor.

All this and a lot more information related to this as well as guaranteed lossless, quality seeds. We are no different than Dime, except we take lossless audio serious and can back that up with the archive of analysis done by our mods.

www.planetrocklosslessbootlegs.com
All Lossless All the time.
bond 2009-05-06 16:39:25
This is not the first G. Love DSBD I've heard with presumably hot levels.

Add a comment


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