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|Show||George Clinton and P-Funk, Gathering Of The Vibes, Seaside Park, Bridgeport, CT 7/24/2009 40 ft. split TLM170 flac16|
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|Torrent||pfunk2009-07-24.tlm170.flac16.torrent (click to download)|
|Description||George Clinton And The P-Funk All Stars|
Gathering Of The Vibes
Neumann TLM-170 (hypercard, split ~40 feet on L/R sides of SBD) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in cdwav.
2. Cosmic Slop ->
3. I Am The Slime (jam)
4. We Do This
5. Flashlight ->
6. Something Stank And I Want Some ->
7. Hard As Steel ->
9. Red Hot Mama
10. Maggot Brain
12. Dr. Feelgood
13. banter/Calling On The Funk
14. Up For The Down Stroke ->
15. James Brown (Cool to Show Off) ->
16. Poo Poo Man Jam ->
17. Bounce To This (w/Happy Birthday To You to Gary Starchild Shider) ->
18. Now That I've Got Your Attention ->
19. Bounce To This
20. We Want The Funk
Recorded, mastered, and tracked by Scott Bernstein
Thanks to Freddy for the clamp space, and to Rob Clarke for staking down my stand on the right side.
Other 2009 Gathering Of The Vibes sets that I recorded:
JJ Grey & Mofro: <A HREF="http://www.archive.org/details/mofro2009-07-24.tlm170.split.flac16">http://www.archive.org/details/mofro2009-07-24.tlm170.split.flac16</a>
Keller Williams and MDS: <A HREF="http://www.archive.org/details/kw2009-07-24.tlm170.split.flac16">http://www.archive.org/details/kw2009-07-24.tlm170.split.flac16</a>
George Clinton & The P-Funk All Stars: <A HREF="http://bt.etree.org/details.php?id=527107">http://bt.etree.org/details.php?id=527107</a>
Deep Banana Blackout: <A HREF="http://www.archive.org/details/dbb2009-07-24.tlm170.split.flac16">http://www.archive.org/details/dbb2009-07-24.tlm170.split.flac16</a>
moe.: <a href="http://www.archive.org/details/moe2009-07-24.tlm170.split.flac16">http://www.archive.org/details/moe2009-07-24.tlm170.split.flac16</a>
Lettuce: <a href="http://www.archive.org/details/lettuce2009-07-24.tlm170.flac16">http://www.archive.org/details/lettuce2009-07-24.tlm170.flac16</a>
Max Creek: <a href="http://www.archive.org/details/mc2009-07-25.tlm170.split.flac16">http://www.archive.org/details/mc2009-07-25.tlm170.split.flac16</a>
Guster: <a href="http://www.archive.org/details/guster2009-07-25.tlm170.split.flac16">http://www.archive.org/details/guster2009-07-25.tlm170.split.flac16</a>
Levon Helm Band: <A HREF="http://bt.etree.org/details.php?id=527260">http://bt.etree.org/details.php?id=527260</a>
Ratdog: <a href="http://www.archive.org/details/ratdog2009-07-25.tlm170.split.flac16">http://www.archive.org/details/ratdog2009-07-25.tlm170.split.flac16</a>
Grace Potter and the Nocturnals: <A HREF="http://www.archive.org/details/gpn2009-07-26.tlm170.split.flac16">http://www.archive.org/details/gpn2009-07-26.tlm170.split.flac16</a>
Buddy Guy: <A HREF="http://bt.etree.org/details.php?id=527299">http://bt.etree.org/details.php?id=527299</a>
Crosby Stills and Nash: <A HREF="http://bt.etree.org/details.php?id=527353">http://bt.etree.org/details.php?id=527353</a>
|Checksums||# MD5 checksums generated by MD5summer (<a href="http://www.md5summer.org">http://www.md5summer.org</a>)<br />|
# Generated 7/29/2009 6:14:35 PM<br />
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|Last seeder||Last activity 7:28 ago|
|Size||481.27 MB (504652618 Bytes)|
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|Let me be first to say thank you! Quick upload,wow!
and Neumann TLM-170's , sweet! 40ft split really,wow.
Aint no party like a P.funk party!
Aka: undiscokidd, on Dime.
|spread 40 ft.. WOW how did you deal with that huge phase difference... The wind must have made that near impossible... Psyched to here that.. Will definitely DL.. Please post how you managed the mics or post processing to eliminate the big phase holes. I would really like to get info on that...
|I did nothing special at all about phase. Just put the mics up, pressed record, normalized, reasample, bit depth conversion, etc. Everything I did is in the .txt file and explicitly stated above if you read. Every so often there is a littie wind which made one mic stand or the other sway a bit, but otherwise sounds pretty great.
At GOTV you can't tape from the center (they don't let you set up FOB because of videocameras) so most people tape from either the extreme left or right of the SBD and the PA stacks are extremely wide (2 stages separate them) that any other recordings out there are essentially only recording one mono PA stack depending on if the taper was on the left or right of the SBD. Mine are the only true stereo recordings, unless someone patched out of the SBD or taped off of the FM or somehow got special privileges....
|Word! Thanks for the great upload! More P!!!
|Thanks Scott, can't wait for this one! Minor edit to track 17 - Gary's last name is Shider.
|Great job, your taping effort & upload work is most appreciated, THANK YOU.
|Hey Adam --
not sure if you'll even check in again but you did get me thinking about time alignment of the channels.
And sure enough, for the sets I've got in progress (basically all of Saturday and Sunday), I examined the time alignment of the L/R channel and made a couple of snips at the very beginning of the wav file to get the 2 channels aligned. Not hard, and always less than 1/100th of a second, but aligned is better than not aligned I guess.
Most people would probably never hear it, but the rest of the sets will be properly time aligned thanks to your posting which got me thinking about it!
|Yep scott will always have phase on split. You were pretty lucky not to have much of it. I guess its because your stands were half way back in the section. I saw you there. Being half way back each mic only saw the center stack and the stack on the side the mics were. so you had no bleed from left stack into right mic or vice versa.. sort of like a big Jacklin disk. The show was mono mixed I believe so stereo is mostly a timing illusion. But the Jacklin thin is big. The center stack is equidistant to both mics so not much phase difference. The side stacks are time compensated to the center so all the music reaches one point at the same time if the far stack is eliminated. As fort the wind, shit! it sucks no matter what so that would be in any recording, Wind music movement not wind noise that is... :-) Thanks for the response!
|Thank you for sharing!!
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