|Show||Phish 2009-08-01 Red Rocks, Morrison, Co. *B&K 4022s*|
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|Torrent||Phish2009-08-01.flac16.torrent (click to download)|
|db link||http://db.etree.org/shn/100412 | Show | Source|
August 1, 2009
Red Rocks Amphitheatre
**16 bit source**
Source: B&K4022 (ortf) > Sonosax > 744T
Transfer: 744T>wavelab (fades/resampling/dithering)>cd wave>flac
Taped & transferred by Craig Davis
Disc One/Set One:
02 AC/DC Bag
03 The Curtain With
05 Gotta Jibboo
07 Punch You in the Eye
Disc Two/Set One (con't):
01 Run Like an Antelope
02 Rock and Roll >
03 Down with Disease >
Disc Three/Set Two (con't):
01 Harry Hood
02 Sleeping Monkey
03 First Tube
|Last seeder||Last activity 52 days, 15:57:03 ago|
|Size||887.64 MB (930759505 Bytes)|
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|0 seeders, 1 leecher = 1 peer total|
|Nice, thanks for this source!
|An official TDS recording with a dash of extra D thrown in for good measure. I'll be checking it to see if it has the proper tagging(s).
Thanx for the source, CD.
|Added this to the shncirc database:
|This sounds amazing. Were you super close? Certainly were in the sweet spot. Mike thunders on this recording. All the instruments are very clear (why I love the DPA's so much their transparency is amazing.) Thanks for the Ups why buy the sbd's when you got AUD tapes like these. Thank you!
|When done right, it's hard to beat DPA's when it comes to pulling Phish. These 4022's nailed it. Thank you so much.
|I can't believe the source isn't getting the bulk of the leechers...no disrespect to any of the other sources because variety is the spice of life, but DAMN these DPA recordings sound buttery. It's like Mike's bass is dripping through my 'phones into my auditory canal and committing battery on the pleasure centers of my dome.
|to add to my last comment, many AUD sources i have from pre-hiatus that feature Mike so prominently are either too boomy and/or are missing the clarity and high end of the spectrum...but these DPA sources bring it all. I'm sure some of this has to do with the improved equipment on stage and/or at the venues, but still.