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| Artist | Levon Helm |
| Show | Levon Helm band Gathering Of The Vibes 7/25/2009 w/special guest Bob Weir Neumann TLM170 *40 ft. split* flac16 |
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| Torrent | levon2009-07-25.tlm170.split.flac16.torrent (click to download) |
| Downloads as | levon2009-07-25.tlm170.split.flac16 |
| Info hash | 4184e4de62b9ea82779df34ace8aee65126e7abf |
| Description | Levon Helm
Seaside Park
Bridgeport, CT
7/24/2009
Neumann TLM-170 (hypercard, split ~40 feet on L/R sides of SBD) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 9.0c (Left/Right channel time alignment; Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in cdwav.
1. intro by Wavy Gravy/crowd/tuning
2. The Shape I'm In
3. Love Played A Game
4. Jealous Man
5. Simple Twist of Fate
6. Long Black Veil
7. Grow Too Old
8. Did You Love Me At All
9. Deep Elem Blues
10. inviting out Bob Weir
11. Attics Of My Life *
12. Tennessee Jed *
13. All On A Mardi Gras Day
14. band intros
15. It Makes No Difference
16. Chest Fever
17. banter - thanks, doctors orders
18. The Weight *
* = w/Bob Weir on acoustic guitar and vocals
Levon was under doctor's orders not to sing, so other band members did the singing
Recorded, mastered, and tracked by Scott Bernstein
Thanks to Freddy for the clamp space, and to Rob Clarke for staking down my stand on the right side.
Other Gathering of The Vibes 2009 sets that I recorded:
JJ Grey & Mofro: <A HREF="http://www.archive.org/details/mofro2009-07-24.tlm170.split.flac16">http://www.archive.org/details/mofro2009-07-24.tlm170.split.flac16</a>
Keller Williams and MDS: <A HREF="http://www.archive.org/details/kw2009-07-24.tlm170.split.flac16">http://www.archive.org/details/kw2009-07-24.tlm170.split.flac16</a>
George Clinton & The P-Funk All Stars: <A HREF="http://bt.etree.org/details.php?id=527107">http://bt.etree.org/details.php?id=527107</a>
Deep Banana Blackout: <A HREF="http://www.archive.org/details/dbb2009-07-24.tlm170.split.flac16">http://www.archive.org/details/dbb2009-07-24.tlm170.split.flac16</a>
moe.: <a href="http://www.archive.org/details/moe2009-07-24.tlm170.split.flac16">http://www.archive.org/details/moe2009-07-24.tlm170.split.flac16</a>
Lettuce: <a href="http://www.archive.org/details/lettuce2009-07-24.tlm170.flac16">http://www.archive.org/details/lettuce2009-07-24.tlm170.flac16</a>
Max Creek: <a href="http://www.archive.org/details/mc2009-07-25.tlm170.split.flac16">http://www.archive.org/details/mc2009-07-25.tlm170.split.flac16</a>
Guster: <a href="http://www.archive.org/details/guster2009-07-25.tlm170.split.flac16">http://www.archive.org/details/guster2009-07-25.tlm170.split.flac16</a>
Levon Helm Band: <A HREF="http://bt.etree.org/details.php?id=527260">http://bt.etree.org/details.php?id=527260</a>
Ratdog: <a href="http://www.archive.org/details/ratdog2009-07-25.tlm170.split.flac16">http://www.archive.org/details/ratdog2009-07-25.tlm170.split.flac16</a>
Grace Potter and the Nocturnals: <A HREF="http://www.archive.org/details/gpn2009-07-26.tlm170.split.flac16">http://www.archive.org/details/gpn2009-07-26.tlm170.split.flac16</a>
Buddy Guy: <A HREF="http://bt.etree.org/details.php?id=527299">http://bt.etree.org/details.php?id=527299</a>
Crosby Stills and Nash: <A HREF="http://bt.etree.org/details.php?id=527353">http://bt.etree.org/details.php?id=527353</a> |
| Checksums | 00a5c24a56e12c9c3a32b687ca692967 *levon2009-07-25t01.flac<br />
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6a65ba469c0043cd51a6e93f9aaa0241 *levon2009-07-25t12.flac<br />
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f9ce9cbf64cc025007c9b137ceaccfa2 *levon2009-07-25t16.flac<br />
5fa00d8e42dda18f667dfc6aa8c478bb *levon2009-07-25t17.flac<br />
d1a2f77c207c6d20020ab47557c34824 *levon2009-07-25t18.flac<br />
|
| Type | Levon Helm |
| Last seeder | Last activity 6:09 ago |
| Size | 495.47 MB (519536381 Bytes) |
| Added | 2009-08-04 01:55:27 |
| Views | 3 |
| Hits | 902 |
| Snatched | 452 times |
| Upped by | scott_bernsteiN@hotmail.com |
Num files
[See full list] | 20 files |
Peers
[See full list] | 5 seeders, 0 leechers = 5 peers total |
Add a comment
| scott_bernsteiN@hotmail.com |
2009-08-04 02:01:42 |
| Thanks to Adam Egert who questioned my P-Funk posting, I've now started time-aligning (the best I can) the left and right channels, as I was running such a huge mic spread.... |
| aegert |
2009-08-04 15:00:41 |
As a follow up scott. I posted this in that thread to...
Yep scott will always have phase on split. You were pretty lucky not to have much of it. I guess its because your stands were half way back in the section. with the Sound board area separating the mics. I saw you there. Being half way back each mic only saw the center stack and the stack on the side the mics were. So... you had little to no bleed from left stack into right mic or vice versa.. sort of like a big Jacklin disk. The show was mono mixed, I believe, so stereo is mostly a timing illusion. But the Jacklin thing is big. The center stack is equidistant to both mics so not much phase difference. The side stacks are time compensated to the center so all the music reaches one point at the same time if the far stack is eliminated. As fort the wind, shit! it sucks no matter what so that would be in any recording, Wind music movement not wind noise that is... :-) I am looking forward to hearing this too!
|
| scott_bernsteiN@hotmail.com |
2009-08-04 18:53:49 |
hey Adam,
Actually, the PA for this festival was definitely in stereo. You'll hear it clearly in the Keller Williams set -- his sound engineer clearly did some fun things with the vocals when Keller sang certain things -- so he would pan the vocals hard left or hard right. And some other acts had clear L/R placement of certain instruments. Most other tapers will only get one or the other stack.
Center stack? I didn't see any center stacks at this show. Just FAR left and FAR right of the stage. And when you were in the crowd, if you were FOB, unless you hit about a 4-5 foot range directly in the center you could only hear either the left or right stack.
Interestingly enough, with the spread I was running, I still had to point my right mic out to the right and my left mic out to the left, as the PA was still FAR wider than my mic placement.
It was a lot of extra work, but I think in general the results are nice, and are in stereo.... |
| scott_bernsteiN@hotmail.com |
2009-08-04 18:54:11 |
| Either way, thanks for getting me thinking about stuff like this! |
| robclarke |
2009-08-04 19:39:53 |
if you look at this picture
http://img.photobucket.com/albums/v480/RobC/Everything%20Else/IMG_6904.jpg
the center stack was right behind the turtle.
it was 1/2 the size of either of the 2 main stacks (L,R) |
| scott_bernsteiN@hotmail.com |
2009-08-05 00:22:31 |
| Thanks, Rob....See what you mean. Well, that tiny speaker would hardly have any effect given the volume of the stacks on the far left and right, which is what I was aimed at with the hypers. |
| aegert |
2009-08-05 11:12:54 |
Scott
those centers were a full stack of meyers.. Pleanty'o sound but as I said time to each TLM170 either side of the board should be mostly constant and centered so no worries. They are time compensated to the board with both left and right only thing to throw that off is wind... I was talking to the sound guy early thurs and he said Mono.. Regardless they could have run stereo for the main acts who knows.. No worries!
Great back and forth though.. Thanks for the pick Rob
A |
| scott_bernsteiN@hotmail.com |
2009-08-11 19:23:25 |
| Just reconfirmed that the stacks were 100% in stereo. Go listen to my Keller Williams recording. The drums and cymbals are clearly panned left/right, but for non-debatable proof that this is in stereo, listen to "Freeker By The Speaker" -- at one point he sings "...side to side..." and his soundguy Louis pans the vocals hard left when he sings the 1st "side" and hard right when he sings the 2nd "side". Pretty tasty of him and sounds great on headphones! :-) |
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