|Show||Phish Festival8 Day Three Electric * 11-1-09 * Sennheiser 441 OTS * Centered|
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|Torrent||ph2009-11-01.OTS.Senn441.padelimike.sbeok.FLAC16.torrent (click to download)|
|db link||http://db.etree.org/shn/102311 | Show | Source|
Festival8 Day 3
Empire Polo Grounds
OTS directly behind SBD, 12 feet 4 inches high, centered.
Sennheiser 441 ( 90 degrees ) > Edirol R4Pro (24/88.2)
R4Pro>WaveBurner (tracking, fades, EQ, SRC) >
xACT (to FLAC)
Set the first:
01 AC\DC Bag
03 Gotta Jibboo
04 Heavy Things
06 The Wedge
07 Guelah Papyrus
10 Split Open and Melt
Set the Second:
04 Sugar Shack
05 Limb By Limb
06 Theme From The Bottom
07 Mike's Song
08 Also Sprach Zarathustra
10 Slave To The Traffic Light
11 encore break
14 thank you
15 Tweezer Reprise
I have also included Fade Tracks for CD burning. They are, unfortuately, not faded:
The corrected fade tracks and the Acoustic Set are in this torrent:
|Last seeder||Last activity 9:35 ago|
|Size||1.040 GB (1116818612 Bytes)|
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|thanks yet again
|I didn't attenuate the bass this time. Guess I can use the tone control in the rental...
|Mike! It was great meeting you and Lindsay...Had great Phun time in the show each night.
|Thanks for helping protect the stand, Joe! Lindsey says "Hi!"
This first set burns on a CDR without overburn.
I reaLLy like the behind-SBD sound in the big flat venues!
Was nice of them to give us a center line for positioning.
|I just added this one to the etree database:
|who da' best taper?
Mike Da' Best!!!
|I was curious about the sound behind the board, but I guess even more curious about the sound in front of the board, which is where I stayed. So, thanks for sharing this one.
|Hey Mike, just curious why you ran without the windscreens? I realize it was sort of calm all weekend. The first night there was a bit of wind. That area is known for wind so I did not chance running "naked" and having to put screens on during the set. Nice job getting your torrents up.
|is 90 deg the same as xy? it might be hard to run xy with windscreens.
|I always thought true XY had the capsules one over the other
Mine were on a bar about 18 inches apart.
I ran screens the first 2 nights, and during the acoustic set. I was glad for that most of the time.
But after the sun went down Sunday, I knew at least the 441s would be OK.
Never took 'em off the CM700/CP701 or the e602.
I got the good screens, but I can "see" their effect, and if I can run without 'em, I feel in my heart the sound'LL be better.
... and thanks. zman IS da man!
|mike, this sounds tight! i am really enjoying this source. can i please beg of you to share the 24 bit ? thanks!
|2 masters were made - 1 at 24/96 and 1 at 24/88.2. For this and aLL CD-"quality" uploads I will use the 88.2 master. Any High-Definition uploads will be sourced from the other recorder.
I'm trying to determine what the best combination of this capture with my 2 center mics will be. Stay tuned!
As flat and open as this place was, taping was like shootin' PHiSH in a barrel.
I did have the cutest stand in the place, though. Here's from 10/31, my PAS night:
|(Also, my first upload of the Acoustic Set will include a folder with the corrected fade tracks from this one)
|"Mike are you sure you want to run with no screens for the acoustic set? There is a slight breeze" :)
|Can I get a little help?
After spending the better part of the last few days working on 11-01-09 Acoustic Set, I'm stuck.
Any chance some folks could grab these 2 versions of "The Curtain With" and compare for me? My ears are a-buzzin' and I don't trust them any more.
Version "A" http://www.sendspace.com/file/mxc6kd
Version "B" http://www.sendspace.com/file/1m4u73
Whichever one is better, I'll upload to etree to go with this one. Also will include the corrected fade tracks for this one
|I went with the third choice: "neither"