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|Show||phish 2009-11-28 albany, ny ~ beyerdynamic ck930 > eaa psp2 > sd 722 *16 bit*|
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|Torrent||phish2009-11-28.ck930.psp2.722.burke.flac16.torrent (click to download)|
|db link||http://db.etree.org/shn/103102 | Show | Source|
November 28, 2009 (Saturday)
Times Union Center
Recordist : Tim Burke - email@example.com
Location : Floor, Section 8, centered, front row of official taper section, directly behind the soundboard, ~125' from the stage lip, ~9' high
Mic Config : ~18 cm, ~90º
Source : beyerdynamic CK930 > MVK900 > CV900 > E.A.A. PSP-2 > Sound Devices 722 (line in, -6.0 dB)
Recorded Format : 24 bit, 48 kHz
Conversion : 722 > IBM ThinkPad T43
Editing : Steinberg WaveLab v5.01b, decibel increase to both channels (resulting in -.20 peaks) via the "change gain" command, resample with ReSampler 192 at High Quality, dither with MegaBitMax, iZotope Ozone 3, Medium Noise Shaping, Normal Dither Amount
Final Format : 16 bit, 44.1 kHz
Tracking : CD Wave v1.93.3
Compression : FLAC v1.2.1, Trader's Little Helper v2.4.1 (Build 160), Level 8, Sector Boundaries Aligned using "fix" setting
All DSP performed by Tim Burke on November 30, 2009.
s1t01. (crowd, tuning)
s1t02. Party Time
s1t03. Stealing Time From The Faulty Plan
s1t04. Uncle Pen
s1t07. Walk Away
s1t10. Split Open And Melt
s1t13. Backwards Down The Number Line
s2t01. Seven Below >
s2t03. Cool It Down
s2t04. Gotta Jibboo
s2t05. Let Me Lie
s2t06. Wolfman's Brother
s2t08. (encore break)
s2t09. You Enjoy Myself
Uncle Pen was last played on July 11, 2000 (129 shows).
Only the second time Sanity has been played since November 27, 1998. The other post 1998 play was on March 08, 2009.
Vultures was last played on June 24, 2004 (49 shows).
Cool It Down was last played on July 29, 2003 (71 shows).
The low cut filter (6 dB/octave at 250 Hz) was inadvertently engaged on the CV900 bodies.
Thanks to John Malagisi for the clamp space.
The Times Union Center was previously named Pepsi Arena, and opened as Knickerbocker Arena.
Trey Anastasio - electric guitar, vocals
Jon Fishman - drums, vocals
Mike Gordon - electric bass guitar, vocals
Page McConnell - keyboards, vocals
|Last seeder||Last activity 286 days, 02:50:30 ago|
|Size||1.014 GB (1089039150 Bytes)|
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|sorry about leaving the low cut switches engaged on the bodies folks; rookie mistake. the recording still sounds great or i wouldn't of seeded it.
i'll have 11/27 up in the next day or so. i ran microtech gefell m20 > jk labs ecms-23 > eaa psp2 > sd 722 from the exact same spot as this recording.
|Thanks! Looking forward to checking this out!
|they are beyerdynamics... its gonna sound great they dont call um dynamic for nuttin'
once i get a 4 channel rig im going to run my MC930's and ck 930's
glad you jumped the fence!
|Tim first time I ran mine I ran with both switches forwas at NRPS. it came out fantastic BTW... :-) make sure the dots show and your ok...
|FYI, my review of this show ran in today's Berkshire Eagle:
|I just added this one to the etree database (both 16 bit & 24 bit versions in the same entry) -
|what do you mean rookie mistake???? your a pro at this stuff tim, ha ha, thanks for the up, fun hangin w/ ya, great times had by all, see ya down the road, peace,matt
|if the low cut switches are on, what does it do to the sound? sorry for asking, rookie mistake on me i guess!!! well, i don't tape shows, so yah, i'm below rookie
|below is a general explanation of what a low cut filter does to the audio signal. i don't usually use one, and did so on this recording in error.
Low Cut Filter
Also known as a high pass filter. Basically this is a type of filter that removes low frequencies from an audio signal. Normally they are designed so they remove frequencies below a certain determined frequency (often somewhere between 20 Hz and 150 Hz). In typical designs these filters have slopes, which means there is more and more attenuation as the frequency gets lower. So right around the rolloff (or cutoff) frequency the signal may only be down 3dB to 6dB (3dB is standard), but depending upon the design of the filter, lower frequencies may be considerably more attenuated. This is usually rated in dB/octave, or decibels per octave of rolloff. If your filter is at 150 Hz it is safe to assume the signal will only be reduced by 3dB at that frequency. However, one octave below that, at 75 Hz, your signal may be attenuated 15dB, or 12dB more. This would represent a 12dB per octave rolloff, which is common.
|best show of the years, imho. and if not, seven below > ghost is easily the best jam of the year.
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