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| Artist | Grateful Dead |
| Show | gd74-05-21.87114.mtx.tobin.sbeok.t-flac16 |
Report this as non-Trade-Friendly | Email us |
| Torrent | gd74-05-21.87114.mtx.tobin.sbeok.t-flac16.torrent (click to download) |
| Downloads as | gd74-05-21.87114.mtx.tobin.sbeok.t-flac16 |
| Info hash | a711d387c2774debbc986008051508c22fff3a8f |
| db link | http://db.etree.org/shn/87114 | Show | Source |
| Description | This is a tagged version of shinid: 87114
Grateful Dead
5/21/74
Edmundson Pavilion, U of Washington
Seattle, WA
gd74-05-21.mtx.tobin.87114.sbeok.flac16
SBD + AUD Matrix 2 Source Mix
(65%-SBD/35%-AUD)
_________________________________________________________________________
--Set 1--
101-d1t01 - Me & My Uncle
102-d1t02 - Brown Eyed Women
103-d1t03 - Beat It On Down The Line
104-d1t04 - Deal
105-d1t05 - Mexicali Blues
106-d1t06 - It Must Have Been The Roses
107-d1t07 - The Race is On
108-d1t08 - Scarlet Begonias
109-d1t09 - El Paso
110-d1t10 - Row Jimmy
111-d1t11 - Money Money
112-d1t12 - Ship of Fools
113-d2t01 - Weather Report Suite Prelude ->
114-d2t02 - WRS Part 1 ->
115-d2t03 - Let It Grow- >
116-d2t04 - China Doll
--Set 2--
201-d2t05 - Playin' In The Band
202-d3t01 - U.S. Blues
203-d3t02 - Big River
204-d3t03 - Stella Blue
205-d3t04 - Around & Around
206-d3t05 - Eyes Of The World ->
207-d3t06 - Wharf Rat ->
208-d3t07 - Sugar Magnolia
--Encore--
209-d3t08 - Johnny B. Goode
________________________________________________________________________
Audio Source Information:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel
flip.
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony
note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card. Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave. Audition 2.0 was used to align &
synch the SBD & AUD sources. Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels. Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007
---------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD -0
AUD -2
SET TWO
Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were
missing from the audience source (AUD) and was filled in with audio
from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better. This includes the first notes of
Brown Eyed Women on the Audience.
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and
06.239 seconds were missing from the audience source (AUD) and was
filled in with audio from the soundboard recording (SBD). This
portion of the audio was normalized to blend in better. This includes
the first notes of Beat It On Down The Line on the Audience.
3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from
the audience source (AUD) and was filled in with audio from the
soundboard recording (SBD). This portion of the audio was normalized
to blend in better. This includes the first notes of Deal on the
Audience.
4) Between Deal and Mexicali Blues, 20.096 seconds were missing from
the audience source (AUD) and was filled in with audio from the
soundboard recording (SBD). This portion of the audio was normalized
to blend in better.
5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and
17.410 seconds were missing from the audience source (AUD) and was
filled in with audio from the soundboard recording (SBD). This
portion of the audio was normalized to blend in better. This includes
the first notes of It Must've Been The Roses on the Audience.
6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds
were missing from the audience source (AUD) and was filled in with
audio from the soundboard recording (SBD). This portion of the audio
was normalized to blend in better. This includes the first notes of
The Race Is On on the Audience.
7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were
missing from the audience source (AUD) and was filled in with audio
, from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better.
8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds
were missing from the audience source (AUD) and was filled in with
audio from the soundboard recording (SBD). This portion of the audio
was normalized to blend in better. This includes the first notes of
El Paso on the Audience.
9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were
missing from the audience source (AUD) and was filled in with audio
from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better. This includes the first notes of
Row Jimmy on the Audience.
10) Between Row Jimmy and Money Money, 28.081 seconds were missing from
the audience source (AUD) and was filled in with audio from the
soundboard recording (SBD). This portion of the audio was normalized
to blend in better. This includes the first notes of Money Money on
the Audience.
11) After the splice at the start of Money Money, 28.183 seconds of the
Audience left channel was fixed using a mono copy of soundboard
recording (SBD) which was normalized to blend in better.
12) Between Money Money and Ship Of Fools, 19.314 seconds were missing
from the audience source (AUD) and was filled in with audio from
the soundboard recording (SBD). This portion of the audio was normal
ized to blend in better.
13) At the start of Ship Of Fools, 14.631 seconds were missing from
the soundboard source (SBD) and was filled in with audio from the
audience recording (AUD). This portion of the audio was normalized
to blend in better. The first notes of Ship Of Fools were missing on
both sources.
14) At the end of Ship Of Fools, 06.597 seconds were missing from the
audience source (AUD) and was filled in with audio from the
soundboard recording (SBD). This portion of the audio was normalized
to blend in better. This is at the end of disk 1.
15) At the start of WRS Prelude, 13.685 seconds were missing from the
soundboard source (SBD) and was filled in with audio from the
audience recording (AUD). This portion of the audio was normalized
to blend in better. The first notes of WRS Prelude were missing on
both sources.
16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were
missing from the audience source (AUD) and was filled in with audio
from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better. This includes the first notes of
Big River on the Audience.
17) Between Big River and Eyes of the World, 13 minutes and 32.455
seconds were missing from the soundboard source (SBD) and was
filled in with audio from the audience recording (AUD). This
portion of the audio was normalized to blend in better. This
includes all of Stella Blue and Around and Around.
18) Between Around and Around and Eyes Of The World, 02.989 seconds
were missing from the audience source (AUD) and was filled in with
audio from the soundboard recording (SBD). This portion of the audio
was normalized to blend in better.
18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were
missing from the audience source (AUD) and was filled in with audio
from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better.
19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were
missing from the audience source (AUD) and was filled in with audio
from the soundboard recording (SBD). This portion of the audio was
normalized to blend in better. This includes some of the first
notes of Johnny B. Goode on the Audience. The first notes are
missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the
most part the soundboard recording ran slightly fast (.5 seconds per
minute). However, Playin In The Band which "has no Cassette gen" more
closely matched the audience recording and is unfortunate that more of
it doesn't circulate. A patched version of the sbd already circulates
(shnid=22801) but as there were multiple fixes to the audience
recording, a fixed version of it will be available soon along with a
dts and dvd-va.
____________________________________________________________________ |
| Checksums | gd74-05-21d3t08.flac:bbcb231cf3d21dcb6db3389fd39d981b
gd74-05-21d1t01.flac:39358d09843b6cb4d82ff3c6ee7924e5
gd74-05-21d1t02.flac:22fb4817639b625d813250ab87b50208
gd74-05-21d1t03.flac:2f29cfa916f5aa11e070ad1a85f8ef38
gd74-05-21d1t04.flac:93f881c062e1d46dc20a20507ce55ca5
gd74-05-21d1t05.flac:5d1c2d60198a11506ffbb5268bffe141
gd74-05-21d1t06.flac:a94018c24251b6434755c7bff546aee4
gd74-05-21d1t07.flac:c51bf3f83e894bb0b405b4bd18313549
gd74-05-21d1t08.flac:2568358f307777b336adaaaacedafad9
gd74-05-21d1t09.flac:60ba149c66dc8eba0185854ef0a57ff2
gd74-05-21d1t10.flac:12c5aaa7e24a665e3421dc4a2415c9a5
gd74-05-21d1t11.flac:317daf83656164cc9440e6b9561fa6a2
gd74-05-21d1t12.flac:75043cec4322983654f6439033765d48
gd74-05-21d2t01.flac:c4a1f1a3a643d2ca250405e3ad74e932
gd74-05-21d2t02.flac:5c4d5b18322b61413b900860b72c6c04
gd74-05-21d2t03.flac:ed8860093db2b2a98c36e12779c9b1c8
gd74-05-21d2t04.flac:9d8ad98cd450fa8655e85a80557f3ec8
gd74-05-21d2t05.flac:9de35855935b856fc2a949b81525ed38
gd74-05-21d3t01.flac:dd3eac170057e8b82fa6699db26a3482
gd74-05-21d3t02.flac:baa078da538490497a216bdba4027a90
gd74-05-21d3t03.flac:033e63d5367465d664b4f81cf99befd4
gd74-05-21d3t04.flac:7689d53a37cc094408b51dc4917e5c93
gd74-05-21d3t05.flac:39d5c674c0c51554e1969e3cb40359dd
gd74-05-21d3t06.flac:ccec00ff23a8fbf63feea06a0b35c20e
gd74-05-21d3t07.flac:a6ff54909e8a558042a551df634034ae
|
| Type | Grateful Dead |
| Last seeder | Last activity 19:56:02 ago |
| Size | 1.071 GB (1150393615 Bytes) |
| Added | 2010-06-17 07:48:06 |
| Views | 0 |
| Hits | 787 |
| Snatched | 248 times |
| Upped by | germain |
Num files [See full list] | 29 files |
Seeders [Hide list] | 0 Seeder(s) |
Leechers [Hide list] | 0 Leecher(s) |
Add a comment
| germain |
2010-06-17 08:04:17 |
I could not seed this matrix without at least mentioning the outstanding audience recording from which the matrix was created.
If you love great audience recordings, you owe it to yourself to head over to the LMA and check out Pat Lee's fob recording. It will blow you away.
There are several transfers to choose from:
gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf
AudMC > WAV > SHN
gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16
shnid=10150 with between track patches with sbd
gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16
gd1974-05-21.sonyecm18n.lee.miller.98901.flac24
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24 |
| heysteve |
2010-06-17 11:24:02 |
yes, one of the best auds from early seventies.
and thank you germain for the brokedown house matrix
I'm looking forward to this |
| mike999 |
2010-06-17 12:51:06 |
| Sweet!! Thanks a ton! |
| jawknee |
2010-06-17 13:26:55 |
| There it is, the monster. |
| mikemoss52 |
2010-06-22 14:07:48 |
| So I was thinking this 74 project contains all known sources of 74', but are you saying that the auds that are found on archive are not being seeded on this project here? Much appreciation! |
| bingobrain |
2011-04-22 13:33:49 |
| Ah, thanks for this, late seed help, and all involved. Yes, the Pat Lee FOB AUD of this show via LMA is a real eye/ear opener. It lead me to the Menke/Falanga 1975-09-28 FOB AUD also at LMA, both highly recommended. |
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