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Showgd80-03-31. 04741.fob-senn421.barbella.sbeok.t-flac16
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Info hashb2fe25faa3a25f58ed6d0407b6f639c9bd3e7330
db linkhttp://db.etree.org/shn/4741 | Show | Source
DescriptionThis is a flac encoded & tagged version of shnid: 4741

Grateful Dead
03/31/80
Capitol Theatre
Passaic NJ
gd80-03-31.04741.fob.senn421.eaton-barbella.sbeok.flac16

Lineage:
sennnheiser 421 > nak 550 fob analog mastering AND analog to
digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800
__________________________________________________________________

--Set 1--
101-d1t01 - Jack Straw
102-d1t02 - They Love Each Other
(Missing) - Mama Tried ->
104-d1t03 - //Mexicali Blues
105-d1t04 - Brown Eyed Women
106-d1t05 - Feel Like a Stranger
107-d1t06 - tune up
108-d1t07 - Far From Me
109-d1t08 - Althea
110-d1t09 - tune up
111-d1t10 - Lost Sailor//
(missing) - Saint of Circumstance

--Set 2--
201-d1t11 - Don't Ease Me In
202-d1t12 - Samson & Delilah
203-d2t01 - Terrapin Station ->
204-d2t02 - Playing in the Band ->
205-d2t03 - Drums ->
206-d2t04 - Space ->
207-d2t05 - Wharf Rat ->
208-d2t06 - Good Lovin'

--Encore--
209-d2t07 - Johnny B. Goode
___________________________________________________________________

caveat:
The 2nd set begins with several seconds of tuning. Unfortunately the
taper had the levels set way too high on his deck. As the band starts
up, the tape is totally over saturated.
Caution for eardrums & speakers is warranted!!!

Flac encoding notes:
All processing with Trader's Little Helper
Shn - st5 generated
Shn > Flac ( level 8 )
Flac - st5 generated and matched to Shn st5

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 7-17-09
______________________________________________________________________

; shntool md5 fingerprint file
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; shntool md5 fingerprint file
4654e567c3f8ae79ecb8872d734c086f [shntool] gd80-03-31d1t01.flac
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064a6b14ae191d48f8c9b0ef3ea8080a [shntool] gd80-03-31d2t01.flac
ab6812eb6bb21d62e3eb7c5078236db9 [shntool] gd80-03-31d2t02.flac
526630f209ac7877b1cb9430197137c9 [shntool] gd80-03-31d2t03.flac
9f702f436c29b369ec78a56f60a7109f [shntool] gd80-03-31d2t04.flac
020a75767485d2bec1438a6adef2651d [shntool] gd80-03-31d2t05.flac
1f971d0f054d790430b92692437eb82a [shntool] gd80-03-31d2t06.flac
815d8c44207bb1c0bc6b75480482dd8d [shntool] gd80-03-31d2t07.flac

Checksums4654e567c3f8ae79ecb8872d734c086f [shntool] gd80-03-31d1t01.flac<br />
9e6cef03248f05b442ac27a1abb6fe4b [shntool] gd80-03-31d1t02.flac<br />
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4f1481e321aedf6d2ec545301d3958cd [shntool] gd80-03-31d1t05.flac<br />
3b306332ad4c836584bddafb1ccbf46c [shntool] gd80-03-31d1t06.flac<br />
c40d99b02822163b47e3faa483e1546f [shntool] gd80-03-31d1t07.flac<br />
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011cab0b405da1e7e576d79478693239 [shntool] gd80-03-31d1t10.flac<br />
cf6ff401481330431fe70d38026d19f7 [shntool] gd80-03-31d1t11.flac<br />
f0cffa93f86b3d7bdbbeeb6cf42c42c7 [shntool] gd80-03-31d1t12.flac<br />
064a6b14ae191d48f8c9b0ef3ea8080a [shntool] gd80-03-31d2t01.flac<br />
ab6812eb6bb21d62e3eb7c5078236db9 [shntool] gd80-03-31d2t02.flac<br />
526630f209ac7877b1cb9430197137c9 [shntool] gd80-03-31d2t03.flac<br />
9f702f436c29b369ec78a56f60a7109f [shntool] gd80-03-31d2t04.flac<br />
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1f971d0f054d790430b92692437eb82a [shntool] gd80-03-31d2t06.flac<br />
815d8c44207bb1c0bc6b75480482dd8d [shntool] gd80-03-31d2t07.flac<br />
TypeGrateful Dead
Last seederLast activity 27:34 ago
Size850.59 MB (891906044 Bytes)
Added2012-01-27 08:23:35
Views0
Hits3911
Snatched166 times
Upped bygermain
Num files
[See full list]
24 files
Peers
[See full list]
2 seeders, 0 leechers = 2 peers total

Add a comment

germain 2012-01-27 08:41:22
As we move into the 80's, the number of and quality of sound boards noticeably declines. Most we have are described as dry & sterile and lack the vitality to bring the show alive. My understanding of this situation is that while Betty and most of the board recordings of the 70's were mixed for later playback, the recordings of the early 80's were straight PA mixes. The mix designed to go out to the audience in each venue was not ideal for later playback.

On the other hand, tapers and their equipment had become more sophisticated. For the majority of shows for the next several years, the audience recording trumps the board. While not every audience recording I will put up would be considered excellent, the large majority would be considered good to very good and a fine addition to your collection.

A few of us went through every audience recording available at the Archive and selected what we considered the best sounding audience recording for each and every show. Those are sources that will be seeded during the remainder of this project.

enjoy!
1in10,000 2012-01-27 10:32:30
>> A few of us went through every audience recording available at the Archive and selected what we considered the best sounding audience recording...

Thanks for doing this work.
bdbeeler 2012-01-27 17:16:32
thnaxs
tommie01 2012-01-28 15:06:36
Hey Germain - this is a situation that works out kind of nice. I'll take a good audience tape any day and when we ran through these sbds, I had planned on eventually doing the same thing on the archives - and that takes a little time. So thanks to you and the few folks who once again, have done all the work for me. There is nothing like hearing the "wave" of excitement as it ripples through the auditorium when the boys drop into "He's Gone" or in the middle of a hot "Scarlet > Fire". You can't hear that on a soundboard!!! Many appreciations.

Add a comment


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