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| Artist | Grateful Dead |
| Show | gd81-08-28.092893.mtx.painoman.t-flac16 |
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non-Trade-Friendly | Email us |
| Torrent | gd81-08-28.092893.mtx.painoman.t-flac16.torrent (click to download) |
| Downloads as | gd81-08-28.092893.mtx.painoman.t-flac16 |
| Info hash | 6f8ef6b178e706097c5960c2df634b3a99bbd172 |
| db link | http://db.etree.org/shn/092893 | Show | Source |
| Description | This is a tagged version of shnid: 92893
Thirteen Points
The Grateful Dead
28 August, 1981
Long Beach Arena
Long Beach, California
Matrix Mix
SBD Source: SBD>?>CD>WAV (100%)
AUD Source: MAC>DAT>CD>WAV (50%)
2008 Update: Encore Source: Barry Glassberg's master audience recording (shnid=91231).
_____________________________________________________________________________________________________________
--Set 1--
101-d1t01 - Jack Straw
102-d1t02 - They Love Each Other
103-d1t03 - Me & My Uncle ->
104-d1t04 - Big River
105-d1t05 - Althea ->
106-d1t06 - Little Red Rooster
107-d1t07 - Brown Eyed Women
108-d1t08 - Let It Grow ->
109-d1t09 - China Cat Sunflower ->
110-d1t10 - I Know You Rider
--Set 2--
201-d2t01 - Shakedown Street ->
202-d2t02 - Lost Sailor ->
203-d2t03 - Saint of Circumstance ->
204-d2t04 - The Wheel ->
205-d2t05 - Jam I ->
206-d2t06 - Never Trust A Woman* ->
207-d2t07 - Jam II (Jerry, Brent, Billy & Mickey) ->
208-d2t08 - Drums
209-d3t01 - Space ->
210-d3t02 - Spanish Jam ->
211-d3t03 - Truckin' ->
212-d3t05 - Wharf Rat ->
213-d3t06 - Sugar Magnolia ->
214-d3t07 - Sunshine Day Dream
--Encore--
215-d3t08 - U.S. Blues
_____________________________________________________________________________________________________________
Tools:
Dell Inspiron 8200
Windows XP w/ Service Pack 2
EAC 0.95 beta 4
Multiquence 2.51
Adobe Audition 2.0
Ozone 3 (Audition Plug-In)
CDWave 1.96.1
SHNTOOL 2.0.3
MDsSummer 1.1.0.24
FLAC Frontend 1.7.1 (Etree Edition)
----------
Notes:
* First "Never Trust A Woman"
D1T01 - From 0:00 to ~1:09 AUD source only (Jack Straw)
D1T07 - From ~2:07 to ~2:16 and ~3:44 to ~3:53 AUD source only (Brown Eyed Women)
D1T10 - From ~5:10 to 5:13 AUD source only ("We're gonna take a short break...")
D2T01 - From 0:00 to ~0:39 AUD source only (Shakedown Street)
D2T06 - From ~1:40 to ~2:04 AUD source only (Never Trust A Woman)
D2T06 - From ~2:40 to ~2:50 SBD source only (Never Trust A Woman)
D3T04 - From ~8:02 to EOD AUD source only (Wharf Rat through Sunshine Daydream)
Discs Two and Three are seemless across discs.
----------
Ok folks, this one was a labor of love!
This show was probably the first soundboard cassette I acquired, many moons ago, and I have loved it
ever since the first time I listened to it. I can honestly say that if I absolutely HAD to pick one
show to listen to, this one would be it. Hell, after this little project I don't need the recording...
I can play it back in my head note-for-note!
When I was adding in the aud patches to the original soundboard source, I worked with a program called
Multiquence to do the crossfades. I like a nice smooth transition from aud to sbd, and when I got the
the two sources in sync to do the crossfades, I noticed that the two sources together sounded pretty cool!
So after a while I decided to try to do a matrix-type mix and see what I came up with.
I had discovered that the soundboard source was pitched slow when I patched it with the aud, and I
corrected it for the 05/22/02 seed. As I began to try to sync up the two sources with more percision
for the matrix mix, I discovered that not only was it slow, the speed also varied constantly throughout
the entire recording. It varied only by a very small amount, and you could really only detect it by
doing this type of mix.
In Multiquence, using the aud source as the base, at the beginning of the recording I corrected the
speed of the soundboard source to match the aud. When it soon went out of phase, I made a virtual
split in the wavform just before it went out of phase. I then adjusted the speed of the new section,
using the peaks of the waveforms and my ears as guides to again match the aud source. Very soon again,
the soundboard source would slowly drift out of phase sometimes slowing, sometimes accelerating.
I would then repeat the split-and-correct process to get it back in sync. I ended up making 59 sections
for the First Set, and 93 sections for the Second Set. Some sections are only a few seconds long, and
some are a couple of minutes. The longest section I had was right around five and a half minutes.
It was a very painstaking process and I really wanted to make this thing sound good. The mix is 100%
soundboard and 50% audience, with 100% audience in the sections where there was missing material from
the soundboard source. In those areas I tried exceptionally hard to make the crossfades so smooth that
you can't hear the transition from aud to sbd/aud at all. Well, I don't think I got it just exactly
perfect, but if your not really paying attention too closely, you might not notice the transitions.
I know exactly where they are because I listened to 'em over and over and over and over and over again!
This is an absolutely FANTASTIC show (Willy would tell ya that the night before was better, and he was
there so maybe he's right, but I dunno...). They boys were not just playing songs on this night, they
were creating an incredible universe complete with galaxies, planets, and stars. I swear this is a
magick recording. Every time I listen to it I hear something I hadn't heard before, an accent is a
bit stronger or in a different place. Get baked and kick back with this one at a good listening
volumn and you WILL be taken there!
In the end, I think I got a better sounding recording than the aud or soundboard source alone. I know
there must be an easier way of doing this type of thing, with SMPTE time coding or something, but with
the tools I had available to me, I think it came out pretty cool! But you can decide for yourself, and
please let me know what you think.
Once again, major domo arigato to Willy and Chris Cantergiani for the SBD source discs, and to
Frater Pederabo for the AUD source discs!
PainoMan (painoman2001@hotmail.com)
Yokosuka, Japan - Colorado Springs, CO
January 2004 - December 2007
_____________________________________________________________________________________________________________
|
| Checksums | gd81-08-28-matrix-d1t01.flac:3271b3a4d9a7164218e203ae420d3ddb
gd81-08-28-matrix-d1t02.flac:8cc02aa43b7528173b9432655f0d1709
gd81-08-28-matrix-d1t03.flac:d89208415e34c0090b9ca30d64d24c61
gd81-08-28-matrix-d1t04.flac:7d59a518722f1afab76a432b7ee2ec33
gd81-08-28-matrix-d1t05.flac:f7cfe0aec267fd310646864a069f4a49
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gd81-08-28-matrix-d2t01.flac:3b3e8a83da95efd97493ef2a9363f6a5
gd81-08-28-matrix-d2t02.flac:6b9a8c2542e0e88b0a20ee2fe99c0c77
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gd81-08-28-matrix-d2t04.flac:a947feb25bccfd352b89d3997ddd7b0c
gd81-08-28-matrix-d2t05.flac:656b8ac2d3a476dbad4803d4020e865b
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gd81-08-28-matrix-d2t07.flac:7376e0084fa4f784f52f2bff660efb8a
gd81-08-28-matrix-d2t08.flac:91af22785b3485b06704cd421254da47
gd81-08-28-matrix-d3t01.flac:f34144e4622a148e072a02dcfa191d0f
gd81-08-28-matrix-d3t02.flac:b8083fcce442a910d65395308d4c6091
gd81-08-28-matrix-d3t03.flac:cd02b090941f5da4d061656d98a730e1
gd81-08-28-matrix-d3t04.flac:8941f99c45edd80a6693056cb3ccd2c1
gd81-08-28-matrix-d3t05.flac:0de440f76ef306bce80066d34b2914c8
gd81-08-28-matrix-d3t06.flac:6875ffb204d679294752d35cac493ff9
gd81-08-28-matrix-d3t07.flac:5533c419f0d72a3596429da0367e4448
|
| Type | Grateful Dead |
| Last seeder | Last activity 11:47 ago |
| Size | 1.044 GB (1120721342 Bytes) |
| Added | 2012-08-21 19:20:33 |
| Views | 0 |
| Hits | 325 |
| Snatched | 193 times |
| Upped by | SpiralLightofVenus |
Num files
[See full list] | 28 files |
Peers
[See full list] | 3 seeders, 0 leechers = 3 peers total |
Add a comment
| scottsays |
2012-08-21 19:59:57 |
This is one of the all time GREAT shows---IMO
One of the first soundboard tapes I obtained off a bootleg LP called" The Roses" if I recall correctly.
The lp was just the second set-cutting in Wharf Rat.
The Shakedown is stellar--The Wheel probably one, if not the best---just mind blowing. I played this tape more than any other way back in the early 80's when really high quality recordings were not as abundant as today.
The matrix is really nice, it rounds out the sound and fills in the cuts-----grab this one if you don't have it---
PLAY IT LOUD!!!
I LOVE this show----its a must have-- |
Add a comment
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