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|Artist||Medeski, Martin & Wood|
|Show||Medeski Scofield Martin & Wood - O-East, Shibuya, Tokyo, Japan - 2007-05-11.dpa4023.85641.t-flac16 [The Shack Project - TSP2007#18] **ID3 TAGGED FILESET**|
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|Torrent||msmw2007-05-11.dpa4023.85641.t-flac16.torrent (click to download)|
|db link||http://db.etree.org/shn/85641 | Show | Source|
|Description||Medeski Scofield Martin & Wood|
Venue : O-East
Location : Shibuya, Tokyo, Japan
[This fileset is an ID3 tagged version of http://db.etree.org/shn/85641]
Source: DPA4023 > Mini-Me > D8 (2nd Floor balcony)
Lineage: ZA5ES > ULT I1000DCX > konnekt 8 > G4 >
Cubase LE > DSPQ-PowercoreCompact (48>44.1) > Wav > Flac
Taped and Transfered by: HuD
NOTE: There are fades between each disc -- no music is lost.
01. [02:59] - Open Intro >
02. [14:10] - Hanuman >
03. [12:10] - Bass Solo > Bass'n'Organ [@1:33] > Tequila & Chocolate [@3:02]
04. [11:46] - Little Walter Rides Again
05. [09:56] - Open Intro > Tootie Ma Is A Big Fine Thing [@3:03]
06. [16:35] - Telegraph > Miles Behind [@9:36]
01. [10:05] - A Go Go
02. [06:08] - Down The Tubes >
03. [10:08] - Down The Tubes cont'd >
04. [11:39] - New New Orleans#
05. [13:50] - In Case The World Changes Its Mind
06. [08:33] - Bass Solo > Cachaça [@2:06] >
07. [12:16] - Open Guitar Intro > Deadzy [@2:26] > What Now [@6:11] >
-- DISCS ARE NOT SEAMLESS --
01. [08:15] - Guitar Solo > Julia [@2:24]
02. [12:39] - Hottentot > Guitar Outro* [@10:46]
03. [01:45] - 'Crowd'
04. [09:37] - Legalize It
# w/LCTDT(P) teases
* MMW join for final chord @11:50
Traders Little Helper used for creating checksums:
- FLAC ST5 & MD5 generated for original FLACs
- FLAC ID3 tagged files matched to original FLAC ST5
- FLAC MD5 generated for ID3 tagged files (t-flac.md5)
MP3Tag (current version) used for all ID3 tagging:
- The metadata ID3 tags can be read by any player that plays FLAC files.
- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP contains the same checksum values.)
t-FLAC MD5 values will change if ID3 tags are altered.
Original FLAC MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [crookedbirds AT gmail DOT com] 2012-11-07
flac-ffp will verify pre- and post-tagged files
flac-st5 will verify pre- and post-tagged files
flac-md5 will verify pre-tagged files
t-flac-md5 will verify post-tagged files
|Checksums||8fff8c715c5b5a22b6f62b159fbf898e [shntool] msmw2007-05-11d1t1.flac|
2931d98a45f2ff800915c1cf9cdb464e [shntool] msmw2007-05-11d1t2.flac
bf4a3c701136206c8be30edcbe8dde05 [shntool] msmw2007-05-11d1t3.flac
a662ebbcf2c8dbaccbed72472e6263c2 [shntool] msmw2007-05-11d1t4.flac
c83e7df002ffc9416e58f829c3dc0a37 [shntool] msmw2007-05-11d1t5.flac
0bc8bbb34500e04621ffda4ef397f2ee [shntool] msmw2007-05-11d1t6.flac
663202226acc99ccfef8d74c0665096c [shntool] msmw2007-05-11d2t1.flac
fdabc8892620499fb140de3395a57474 [shntool] msmw2007-05-11d2t2.flac
97766710580469902a666b18635d134d [shntool] msmw2007-05-11d2t3.flac
153af1c0c1be399dc9f2f19a541fce67 [shntool] msmw2007-05-11d2t4.flac
6b923812cbbd7f6764a7accee167acf9 [shntool] msmw2007-05-11d2t5.flac
8cc2d5f7f4e8eead986a2fb795866373 [shntool] msmw2007-05-11d2t6.flac
3a649742dfeebf3f71f034ab057cf808 [shntool] msmw2007-05-11d2t7.flac
66ad1848ee82be38c19482b5d13034ab [shntool] msmw2007-05-11d3t1.flac
c86711c2d0a5f855f76162aa34075518 [shntool] msmw2007-05-11d3t2.flac
9a504173d922b233e905aa758ae9f6dc [shntool] msmw2007-05-11d3t3.flac
4273f7e6a069c2ec47111b097406344f [shntool] msmw2007-05-11d3t4.flac
|Type||Medeski, Martin & Wood|
|Last seeder||Last activity 2 days, 08:11:01 ago|
|Size||982.96 MB (1030704129 Bytes)|
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[See full list]
|1 seeder, 0 leechers = 1 peer total|
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-- THE SHACK PROJECT --
This is an effort to seed all existing MMW shows, and yes, preserving the audio of the original SHN/FLAC filesets -- but now with a twist. We are now seeding ID3 FLAC encoded filesets of db.etree sources which still maintains the audio integrity. The seeding will proceed chronologically for the most part, with exceptions as we feel the vibe to seed other gigs from other times.
Thanks to MMW for allowing their music to be recorded....really, thank you.
Huge thanks goes out to the tapers, without whom this wouldn't be possible...and those that have helped get the tunes to our ears.
And thanks to the other 5 guys I've dragged into this and who seem committed to the cause: Louie, Mike Tom, Todd & Jeff....we're all listening to these shows and hopefully circulating the best versions.
All shows listed here in SHN/FLAC will be seeded:
These shows will be seeded as well, either by me or by one of a few other kind souls:
Shows listed here circulate in some manner. We are looking for as close to the original source as we can get so if you can help out with any of the following, we'd all appreciate it:
http://db.etree.org/duggy/mmwneeds (this list is in the process of being compiled...maybe forever?)
enjoy the grooves
***FOR ALL YOUR SETLIST NEEDS***
MMW Performance History @ http://mmwhistory.com - this is a fantastic resource that allows you to look at info on gigs by MMW and related side projects and guest appearances; big thanks to Tom for creating this page.
We are actively updating all setlists as we seed, and also others outside the particular order of the project.
db.etree is also being updated in tandem with the updates to Tom's pages -- both the source and show pages.
|Just thought I'd add a comment to these MSMW gigs too: GRAB 'EM! These sources, all of them, sound great -- I prefer the DPAs myself, but really, these are all great.
I'm a big MSMW fan -- I think A Go Go is brilliant and I love the tight pocket grooves it contains, and MMW's role as Scofield's foil. I prefer Out Louder's approach of a more collaborative effort and I think the compositions are more integrated across the quartet (instead of MMW applying their thang to Scofield's compositions after the fact, like A Go Go).
Granted, I will say I think MSMW could let loose even more than they do -- the Down The Tubes segments always offer some level of treat so I'd love to hear more in that vein. But, I love the tunes, love the band ... MMW can't do wrong by me, so MSMW is just a cool flavour to sample no and again in my listening.
These Japan gigs are hot! The band is jiving together even more so than they were by the end of the fall '06 tour -- they just know the framework better as a quartet -- '07 was a good year for MSMW grooves!
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