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|Artist||Medeski, Martin & Wood|
|Show||Medeski Scofield Martin & Wood - O-East, Shibuya, Tokyo, Japan - 2007-05-11.rode-nt4.85590.t-flac16 [The Shack Project - TSP2007#19] **ID3 TAGGED FILESET**|
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|Torrent||msmw2007-05-11.rode-nt4.85590.t-flac16.torrent (click to download)|
|db link||http://db.etree.org/shn/85590 | Show | Source|
|Description||Medeski Scofield Martin & Wood|
O-East, Shibuya-ku, Tokyo, Japan
[This fileset is an ID3 tagged version of http://db.etree.org/shn/85590]
Rode NT4 > Edirol UA-5 Digi-mod (Digital 44.1 kHz, 16 Bit) > iriver iHP-120 Rockbox (Digital) > Sound Forge 9.0 (Right Channel Volume Up 2.5 dB, Normalize 6.1 dB) > CD wave (Split Tracks) > FLAC (Level 8)
Recording by Watanabe Satoshi
01. [02:46] - Open Intro >
02. [14:17] - Hanuman >
03. [12:11] - Bass Solo > Bass'n'Organ [@1:35] > Tequila & Chocolate [@3:04]
04. [11:46] - Little Walter Rides Again
05. [09:56] - Open Intro > Tootie Ma Is A Big Fine Thing [@3:04]
06. [09:36] - Telegraph >
07. [06:09] - Miles Behind
08. [00:33] - 'Band Intros/Crowd'
01. [00:49] - 'Crowd'
02. [09:44] - A Go Go
03. [16:18] - Down The Tubes >
04. [11:39] - New New Orleans
05. [13:56] - In Case The World Changes Its Mind
06. [08:22] - Bass Solo > Cachaça [@2:00] >
07. [12:32] - Open Guitar Intro > Deadzy [@2:32] > What Now [@6:10] >
08. [07:48] - Guitar Solo > Julia [@1:58]
09. [12:01] - Hottentot > Guitar Outro* [@10:46]
10. [02:23] - 'Band Intros/Crowd'
11. [09:14] - Legalize It
* MMW join for final chord @11:50
Traders Little Helper used for creating checksums:
- FLAC ST5 & MD5 generated for original FLACs
- FLAC ID3 tagged files matched to original FLAC ST5
- FLAC MD5 generated for ID3 tagged files (t-flac.md5)
MP3Tag (current version) used for all ID3 tagging:
- The metadata ID3 tags can be read by any player that plays FLAC files.
- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP contains the same checksum values.)
t-FLAC MD5 values will change if ID3 tags are altered.
Original FLAC MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [crookedbirds AT gmail DOT com] 2012-11-07
flac-ffp will verify pre- and post-tagged files
flac-st5 will verify pre- and post-tagged files
flac-md5 will verify pre-tagged files
t-flac-md5 will verify post-tagged files
a414c974c5283a8d9d4c8b11b7a9b513 [shntool] msmw2007-05-11s1t01.flac
adb3ff9c3e3520aaa9fae3745e430408 [shntool] msmw2007-05-11s1t02.flac
3b7881b70cb52cbaa327727c8c228422 [shntool] msmw2007-05-11s1t03.flac
c5a30019541f6b9dbf67a016edf2fa65 [shntool] msmw2007-05-11s1t04.flac
39d01a46e35523a22b05de6cb9496f63 [shntool] msmw2007-05-11s1t05.flac
9ed31901d743a1840d775961d597bb9a [shntool] msmw2007-05-11s1t06.flac
39fd4d81e2e7fed4cc81e34446b5498c [shntool] msmw2007-05-11s1t07.flac
8d10bda822841d11a802d4bb453e7742 [shntool] msmw2007-05-11s1t08.flac
870337b59b3f00c0b7d98032dbc3fed1 [shntool] msmw2007-05-11s2t01.flac
c73d3422e201071d7f5720097c36e9e2 [shntool] msmw2007-05-11s2t02.flac
4eebef42d645dde32398167d93a9405e [shntool] msmw2007-05-11s2t03.flac
e089cb58e2ad76b651e7d2cdcbab2a08 [shntool] msmw2007-05-11s2t04.flac
f2f8e7e8ccbec4288d4c4d8a99ceb7e4 [shntool] msmw2007-05-11s2t05.flac
8d5a42a3a043f038a270b9a2b2f17e5e [shntool] msmw2007-05-11s2t06.flac
050da4f96b4f1a15dfd9457b8b429b2f [shntool] msmw2007-05-11s2t07.flac
b68069019aa129654aa0351bb84d0e2d [shntool] msmw2007-05-11s2t08.flac
337c378f54cd2e963e2107257c66658d [shntool] msmw2007-05-11s2t09.flac
f9c9a989e5b92c089465d16554367366 [shntool] msmw2007-05-11s2t10.flac
5c753e4198b2a982dc05ecbfb533bb3f [shntool] msmw2007-05-11s2t11.flac
|Type||Medeski, Martin & Wood|
|Last seeder||Last activity 14:58 ago|
|Size||777.90 MB (815682385 Bytes)|
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|1 seeder, 0 leechers = 1 peer total|
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-- THE SHACK PROJECT --
This is an effort to seed all existing MMW shows, and yes, preserving the audio of the original SHN/FLAC filesets -- but now with a twist. We are now seeding ID3 FLAC encoded filesets of db.etree sources which still maintains the audio integrity. The seeding will proceed chronologically for the most part, with exceptions as we feel the vibe to seed other gigs from other times.
Thanks to MMW for allowing their music to be recorded....really, thank you.
Huge thanks goes out to the tapers, without whom this wouldn't be possible...and those that have helped get the tunes to our ears.
And thanks to the other 5 guys I've dragged into this and who seem committed to the cause: Louie, Mike Tom, Todd & Jeff....we're all listening to these shows and hopefully circulating the best versions.
All shows listed here in SHN/FLAC will be seeded:
These shows will be seeded as well, either by me or by one of a few other kind souls:
Shows listed here circulate in some manner. We are looking for as close to the original source as we can get so if you can help out with any of the following, we'd all appreciate it:
http://db.etree.org/duggy/mmwneeds (this list is in the process of being compiled...maybe forever?)
enjoy the grooves
***FOR ALL YOUR SETLIST NEEDS***
MMW Performance History @ http://mmwhistory.com - this is a fantastic resource that allows you to look at info on gigs by MMW and related side projects and guest appearances; big thanks to Tom for creating this page.
We are actively updating all setlists as we seed, and also others outside the particular order of the project.
db.etree is also being updated in tandem with the updates to Tom's pages -- both the source and show pages.
|Thanks again Duggy!!
|Just thought I'd add a comment to these MSMW gigs too: GRAB 'EM! These sources, all of them, sound great -- I prefer the DPAs myself, but really, these are all great.
I'm a big MSMW fan -- I think A Go Go is brilliant and I love the tight pocket grooves it contains, and MMW's role as Scofield's foil. I prefer Out Louder's approach of a more collaborative effort and I think the compositions are more integrated across the quartet (instead of MMW applying their thang to Scofield's compositions after the fact, like A Go Go).
Granted, I will say I think MSMW could let loose even more than they do -- the Down The Tubes segments always offer some level of treat so I'd love to hear more in that vein. But, I love the tunes, love the band ... MMW can't do wrong by me, so MSMW is just a cool flavour to sample no and again in my listening.
These Japan gigs are hot! The band is jiving together even more so than they were by the end of the fall '06 tour -- they just know the framework better as a quartet -- '07 was a good year for MSMW grooves!
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